Oil Boom
Cara Romero, Chemehuevi / American, born 1977
Chemehuevi
Great Basin
2015
Archival pigment print
AP 1/3
Image: 40 3/16 × 39 5/8 in. (102 × 100.6 cm)
Sheet: 44 3/16 × 44 1/8 in. (112.2 × 112 cm)
Frame: 41 1/4 × 40 3/4 × 2 1/4 in. (104.8 × 103.5 × 5.7 cm)
Hood Museum of Art, Dartmouth: Purchased through the Sondra and Charles Gilman, Jr. Foundation Fund
© Cara Romero. All Rights Reserved.
2019.78.2
Geography
Place Made: United States, North America
Object Name
Photograph
Research Area
Native American
Native American: Great Basin
Photograph
Not on view
Inscriptions
Signed, lower right, in black ink: Cara Romero; numbered, lower left, in black ink: AP 1/3; inscribed, lower center, in black ink: "OIL BOOM"
Label
The central figure in Cara Romero’s Oil Boom floats with arms outstretched, suspended in a sea of oil as if unexpectedly dropped into and tasked with navigating this environment. The sepia color of the underwater photograph thickens its appearance. On the horizon above, a horde of pumpjacks form a dystopian landscape. Oil Boom is a part of a larger series of underwater photographs, Water Memories, that explore water’s capacity to hold memory, trauma, and life. Romero writes: "Water Memories are photography dreamscapes dealing with Native American relationships to water, the forces of man and of Mother Nature. They are individual explorations of space, memory, and diverse Indigenous narratives that are both terrifying and peaceful."
From the 2022 exhibition This Land: American Engagement with the Natural World, curated by Jami C. Powell, Curator of Indigenous Art; Barbara J. MacAdam, former Jonathan L. Cohen Curator of American Art; Thomas H. Price, former Curatorial Assistant; Morgan E. Freeman, former DAMLI Native American Art Fellow; and Michael Hartman, Jonathan Little Cohen Associate Curator of American Art
Course History
NAS 30.21, Native American Art and Material, Jami Powell, Spring 2020
NAS 30.21, Native American Art and Material, Jami Powell, Spring 2020
NAS 30.21, Native American Art and Material, Jami Powell, Spring 2020
NAS 30.21, Native American Art and Material, Jami Powell, Spring 2021
NAS 30.21, Native American Art and Material, Jami Powell, Spring 2021
NAS 30.21, Native American Art and Material, Jami Powell, Spring 2021
NAS 30.21, Native American Art and Material, Jami Powell, Spring 2021
ANTH 55, Anthropology of Global Health, Anne Sosin, Spring 2021
ANTH 7.05, Animals and Humans, Laura Ogden, Winter 2022
GEOG 31.01, Postcolonial Geographies, Erin Collins, Winter 2022
ANTH 50.05, Environmental Archaeology, Madeleine McLeester, Winter 2022
ANTH 50.05, Environmental Archaeology, Madeleine McLeester, Winter 2022
ARTH 5.01, Introduction to Contemporary Art, Mary Coffey and Chad Elias, Winter 2022
ANTH 55.01, Anthropology of Global Health, Anne Sosin6, Spring 2022
ANTH 3.01, Introduction to Cultural Anthropology, Chelsey Kivland, Summer 2022
ANTH 3.01, Introduction to Cultural Anthropology, Chelsey Kivland, Summer 2022
SPAN 65.15, Wonderstruck: Archives and the Production of Knowledge in an Unequal World, Silvia Spitta and Barbara Goebel, Summer 2022
ANTH 55.01, Anthropology of Global Health, Anne Sosin, Fall 2022
Anthropology 55.01, Anthropology of Global Health, Anne Sosin, Spring 2023
Exhibition History
This Land: American Engagement with the Natural World, Luise and Morton Kaish Gallery, Hood Museum of Art, Dartmouth, Hanover, New Hampshire, January 5–April 19, 2022.
Provenance
The artist, Cara Romeo Photography, Santa Fe, New Mexico; sold to the present collection, 2019.
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