Clarence Sinclair Bull photographing Clark Gable and Vivian Liegh for Gone with the Wind, Metro-Goldwyn-Mayer
Unknown American, American
1939
Gelatin silver print
Sheet: 10 × 8 in. (25.4 × 20.3 cm)
Hood Museum of Art, Dartmouth: The John Kobal Foundation Collection; Purchased through the Mrs. Harvey P. Hood W'18 Fund
2019.57.36
Geography
Place Made: United States, North America
Period
20th century
Object Name
Photograph
Research Area
Photograph
Not on view
Label
In this photograph, Clarence Sinclair Bull stands over the scene, directing Clark Gable and Vivien Leigh in a carefully staged embrace, while the large camera looms in the foreground. The composition, with the actors framed by Bull and his equipment, highlights the multiple layers of mediation involved in producing this iconic image. The visual loop—where one camera captures another—reveals the artifice of industrial media, making visible the very mechanisms that manufacture cinematic fantasy. Rather than merely immersing the viewer, this recursive framing exposes the labor and power dynamics underpinning mass image production.
From the 2025 exhibition A Space for Dialogue 127, Separation Perfected, curated by Dominic Folkes ’25, Mellon Special Project Intern
Course History
ARTH 28.10, Fashion in Art, Kristin O'Rourke, Fall 2022
Exhibition History
A Space for Dialogue 127, Separation Perfected, Dominic Folkes ’25, Mellon Special Project Intern, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 8, 2025 - January 4, 2026
Publication History
Robert Dance, Glamour of the Gods, Photographs from the John Kobal Foundation, Göttingen, Germany: Steidl, 2008, illustration page 197.
Provenance
John Kobal Foundation Limited, London, England; sold to present collection, 2019.
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