Marlon Brando for A Streetcar Named Desire, Warner Brothers

John Engstead, American, 1909 - 1983

Share

See Previous Article See next Article

1950

Gelatin silver print

Overall: 20 × 16 in. (50.8 × 40.6 cm)

Hood Museum of Art, Dartmouth: The John Kobal Foundation Collection; Purchased through the Mrs. Harvey P. Hood W'18 Fund

2019.57.19

Geography

Place Made: United States, North America

Period

20th century

Object Name

Photograph

Research Area

Photograph

Not on view

Label

Portraits are a strength of the Kobal Foundation Collection. Carefully styled images helped codify an actor’s signature look—including their hairstyle, clothing, and make-up. Published in popular newspapers and fan magazines, these images promoted established and emerging stars alike.

Dolores del Rio, Nina Mae McKinney, and Anna May Wong were among the first actors of color to achieve star status, at a moment when roles were scarce and often rooted in racist stereotypes. McKinney’s photographer, Jewish American Ruth Harriet Louise, likewise broke through barriers as the first woman photographer active in Hollywood.

From the 2022 exhibition Photographs from Hollywood’s Golden Era: The John Kobal Foundation Collection, curated by Michael Hartman, Jonathan Little Cohen Associate Curator of American Art and Katherine W. Hart, former Senior Curator of Collections and Barbara C. & Harvey P. Hood 1918 Curator of Academic Programming

Exhibition History

Photographs from Hollywood's Golden Era: The John Kobal Foundation Collection, Katherine Hart, Sol LeWitt and Class of '67 Galleries, Hood Museum of Art, Dartmouth College, Hanover New Hampshire, February 19 - May 21, 2022.

Publication History

Robert Dance, Glamour of the Gods, Photographs from the John Kobal Foundation, Göttingen, Germany: Steidl, 2008, illustration page 247.

Provenance

John Kobal Foundation Limited, London, England; sold to present collection, 2019.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu