The Sorceress- a night piece
Jan van de Velde II, Dutch, 1593 - 1641
1626
Engraving on laid paper
Plate: 8 1/2 × 11 7/16 in. (21.6 × 29.1 cm)
Sheet: 8 3/4 × 11 9/16 in. (22.2 × 29.4 cm)
Hood Museum of Art, Dartmouth: Purchased through the Jean and Adolph Weil Jr. 1935 Fund, the Robert J. Strasenburgh II 1942 Fund, the Barbara Dau '78 Fund for European Art, the Olivia H. Parker and John O. Parker '58 Acquisition Fund, the Stephen and Constance Spahn '63 Acquisition Fund, and the Phyllis and Bertram Geller 1937 Memorial Fund
2019.42
Geography
Place Made: Netherlands, Europe
Period
1600-1800
Object Name
Research Area
Not on view
Inscriptions
Translation of the Latin text below the image: “How many evils does lust, constrained by no limit, compel, and with what a sweet song drags even the purest minds of mortals into every (kind of) upheaval. [sed cito quam fallimur: something like, “but how quickly we are led astray” or “but how quickly we decline”]. Death takes over brief life, brief joy. What smiles for a moment grieves for eternity.” Translation by A. Szegedy-Maszak and Michael Roberts, Wesleyan University, 2006. Watermark: Crowned shield with crozier; countermark: the numeral 4 with letters appended. Similar to Heawood 1199 & 1201, 1616
Course History
OSHER, European Manuscript and Print Culture (1300-1600), Daniel Abosso, Fall 2019
OSHER, European Manuscript and Print Culture (1300-1600), Daniel Abosso, Fall 2021
ITAL 1.01, Introductory Italian I, Giorgio Alberti, Fall 2022
ITAL 1.02, Introductory Italian I, Andrea Zoller, Fall 2022
ITAL 1.03, Introductory Italian I, Andrea Zoller, Fall 2022
Humanities 2.01, The Modern Labyrinth, Lucas Hollister, Petra McGillen, Andrea Tarnowski, Laura Edmondson, Winter 2023
Italian 1.02, Introductory Italian I, Andrea Zoller, Winter 2023
Italian 1.01, Introductory Italian I, Giorgio Alberti, Winter 2023
Italian 11.01, Intensive Italian, Giorgio Alberti, Winter 2023
Art History 7.05, Pompeii: Antique & Modern, Ada Cohen, Winter 2023
Italian 2.01, Introductory Italian II, Andrea Zoller, Winter 2023
Italian 2.02, Introductory Italian II, Matteo Gilebbi, Winter 2023
Italian 1.01, Introductory Italian 1, Giorgio Alberti, Fall 2023
Italian 1.02, Introductory Italian 1, Marco D'Angelo, Fall 2023
Italian 1.03, Introductory Italian 1, Floriana Ciniglia, Fall 2023
Italian 1.04, Introductory Italian 1, Noemi Perego, Fall 2023
Italian 2.01, Introductory Italian II, Marco D'Angelo, Fall 2023
Italian 1.01, Introductory Italian 1, Giorgio Alberti, Winter 2024
Italian 1.02, Introductory Italian 1, Floriana Ciniglia, Winter 2024
Italian 2.01, Introductory Italian II, Giorgio Alberti, Winter 2024
Italian 2.02, Introductory Italian II, Noemi Perego, Winter 2024
Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024
Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024
Geography 29.01, Global Cities, Erin Collins, Spring 2024
Geography 29.01, Global Cities, Erin Collins, Spring 2024
Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024
Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024
Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024
Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024
Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024
Spanish 45.04, Under the Influence, Noelia Cirnigliaro, Spring 2024
Italian 1.02, Introductory Italian I, Floriana Ciniglia, Fall 2024
Italian 1.03, Introductory Italian I, Floriana Ciniglia, Fall 2024
Italian 1.01, Introductory Italian I, Floriana Ciniglia, Fall 2024
Italian 11.01, Intensive Italian, Matteo Gilebbi, Fall 2024
Italian 3.01, Introductory Italian III, Giorgio Alberti, Fall 2024
Italian 3.02, Introductory Italian III, Matteo Gilebbi, Fall 2024
Exhibition History
From Altarpiece to Portrait: Assembling a European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 21, 2019-January 27, 2020.
Provenance
Susand Schulman Printseller, New York, New York, and Carolyn Bullard Fine Prints and Drawings; sold to present collection, 2019.
Catalogue Raisonne
Franken-van der Kellen 114; Hollstein 152 II/III (I-Before signature, date and the text in the margin. With the text in the fairy ring. Amsterdam (cut); only their state II impression illustrated on Rijksmuseum website); II-as described, plate complete; I
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