The Forge of Vulcan
Hans Jamnitzer II, German, 1538 - 1603
after Cornelis Bos, Dutch, 1506 - 1564
after Maarten van Heemskerck, Dutch, 1498 - 1574
about 1573
Bronze with traces of gilding
Overall: 6 5/8 × 6 11/16 × 3/16 in. (16.9 × 17 × 0.5 cm)
Weight: 397 g (0.9 lb.)
Hood Museum of Art, Dartmouth: Roger Arvid Anderson Collection - 250th Anniversary Gift, 1769-2019
2016.64.55
Geography
Place Made: Germany, Europe
Period
1400-1600
Object Name
Sculpture
Research Area
Sculpture
Not on view
Inscriptions
none
Label
The Greco-Roman god Vulcan was a master craftsman, and depictions of this strong, bearded, masculine figure toiling at his forge were popular among sculptors and metalworkers as a reflection of their own work. The three examples here vary in their size and intended function but share a focus on the labor of the mythological creator and his workshop rather than their products. The idealized bodies of Vulcan and his workers celebrate the process of metalworking and position sculptors as worthy of admiration for the physicality of their craft in addition to their artistic ingenuity.
From the 2024 exhibition Living with Sculpture: Presence and Power in Europe, 1400–1750, curated by Elizabeth Rice Mattison, Andrew W. Mellon Curator of Academic Programming and Curator of European Art and Ashley Offill, Curator of Collections
Course History
History 42.01, Women's Gender, and Sexuality Studies 22.01, Gender & European Society, Patrick Meehan, Spring 2024
History 96.39, Saints and Relics, Cecilia Gaposchkin, Spring 2024
Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024
Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024
Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024
Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024
Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024
German 13.01, Beyond Good and Evil, Heidi Denzel, Fall 2024
History 3.01, Europe in the Age of Wonder, Cecilia Gaposchkin, Fall 2024
Italian 1.02, Introductory Italian I, Floriana Ciniglia, Fall 2024
Italian 1.03, Introductory Italian I, Floriana Ciniglia, Fall 2024
Italian 1.01, Introductory Italian I, Floriana Ciniglia, Fall 2024
Italian 11.01, Intensive Italian, Matteo Gilebbi, Fall 2024
Italian 3.01, Introductory Italian III, Giorgio Alberti, Fall 2024
Italian 3.02, Introductory Italian III, Matteo Gilebbi, Fall 2024
History 42.01, Women's, Gender, and Sexuality Studies 22.01, Gender and European Society, Patrick Meehan, Winter 2025
History 44.02, Arts of Power, Cecilia Gaposchkin, Winter 2025
Italian 1.01, Introductory Italian I, Giorgio Alberti, Winter 2025
Italian 1.02, Introductory Italian I, Floriana Ciniglia, Winter 2025
Italian 2.01, Introductory Italian II, Giorgio Alberti, Winter 2025
Italian 2.02, Introductory Italian II, Naomi Perego, Winter 2025
Italian 3.01, Introductory Italian III, Floriana Ciniglia, Winter 2025
Conversations and Connections: "Living with Sculpture" with Living Sculptors, Fall 2024
Living with Sculpture Colloquium, Fall 2024
Facilitated Experience: Dartmouth Class of 1968 Tour, Fall 2024
Exhibition History
Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 17-July 18, 2001.
Living with Sculpture: Presence and Power in Europe, 1400–1750, Citrin Family Gallery and Engles Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 23, 2024–March 22, 2025.
Publication History
Roger Arvid Anderson, The Roger Arvid Anderson Collection, Medals, Medallions, Plaquettes and Small Reliefs, Paintings, Sculpture, Works on Paper and Textiles, San Francisco: Roger Arvid Anderson (published privately), design by David L. Wilson, 2015, p. 201.
Elizabeth Rice Mattison, Ashley B. Offill, Living with Sculpture: Presence and Power in Europe, 1400-1750, Hanover, New Hampshire: Hood Museum of Art, distributed by Penn State University Press, 2024.
Provenance
Cyril Humphris, London, before 1991; sold to Roger Arvid Anderson, San Francisco, California, March 1991; lent to present collection, 1993; given to present collection, 2016.
Catalogue Raisonne
Wixom, No. 220; Weber, No. 475
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