Federigo da Montefeltro (obverse); Montefeltro on Horseback (reverse)

Sperandio da Mantova (Sperandio di Bartolommeo de' Savelli), Italian, 1425 - 1495

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about 1474-1482

Bronze medal

Overall: 3 1/2 × 3 9/16 × 7/16 in. (8.9 × 9 × 1.1 cm)

Hood Museum of Art, Dartmouth College: Roger Arvid Anderson Collection - 250th Anniversary Gift, 1769-2019

2016.64.5

Geography/Culture

Europe, Italy

Period

1400-1600

Object Name

Sculpture: Medal

Classification

Sculpture

Not on view

Inscription

Obverse: IDV.FE.VRB.DCS.MOTE.AC.DR.COM.REG.CAP.GE.AC.S.RO.ECCI.CN.INVICTI; dReverse: .OPVS.SPERANDEI .

Course History

ARTH 84, Media and Meaning in Renaissance Sculpture, Adrian Randolph, Fall 2013

Exhibition History

The Power of Appearances: Renaissance and Reformation Portrait Prints and Medals, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 7-December 3, 2000.

Renaissance and Mannerist Plaquettes and Medals from the Collection of Roger Arvid Anderson, Class of 1968, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 19-November 21, 2013.

Ivan Albright Gallery, Hoood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 16, 2009.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 3, 1999-September 22, 2000.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 18, 2001-April 7, 2002.

Publication History

Roger Arvid Anderson, The Roger Arvid Anderson Collection, Medals, Medallions, Plaquettes and Small Reliefs, Paintings, Sculpture, Works on Paper and Textiles, San Francisco: Roger Arvid Anderson (published privately), design by David L. Wilson, 2015, p. 34-35.

Provenance

Collection of Kenneth Clark (1903-1983); Cyril Humphris, London; sold to Roger Arvid Anderson, San Francisco, Californa, 1989; lent to present collection, 1993; given to present collection, 2016.

Catalogue Raisonne

Hill Corpus, No. 3889

Old Number

EL.S.993.19.56

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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Subject

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