Pygmalion and Galatea with Venus

Course History

GERM 03, Intermediate German, Klaus Mladek and Lisa Oberberger, Spring 2020

GERM 03, Intermediate German, Klaus Mladek and Lisa Oberberger, Spring 2020

GERM 003, Intermediate German, Lisa Oberberger, Fall 2020

GERM 003, Intermediate German, Lisa Oberberger, Fall 2020

GERM 03, Intermediate German, Lisa Oberberger, Winter 2021

GERM 03, Intermediate German, Lisa Oberberger, Spring 2021

GERM 03, Intermediate German, Klaus Mladek and Lisa Oberberger, Spring 2021

GERM 13.01, Beyond Good and Evil, Veronika Fuechtner, Fall 2022

Art History 63.02, Why Are Museums...?, Mary Coffey, Winter 2023

Philosophy 23.01, Ethics and the Arts, Kenneth Walden, Winter 2023

History 10.02, Archival Research, M. Cecillia Gaposchkin, Summer 2023

Philosophy 23.01, Ethics and the Arts, Kenneth Walden, Fall 2023

German 10.06, A Visual History of Germany, Heidi Denzel, Winter 2024

Studio Art 21.01, Studio Art 73.01, Sculpture II, Sculpture III, Matt Siegle, Winter 2024

German 3.02, Introductory German (cont.), Heidi Denzel, Spring 2024

History 42.01, Women's Gender, and Sexuality Studies 22.01, Gender & European Society, Patrick Meehan, Spring 2024

History 96.39, Saints and Relics, Cecilia Gaposchkin, Spring 2024

Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024

Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024

Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024

Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024

Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024

History 10.02, Archival Research and the Production of History, Leslie Butler, Summer 2024

Exhibition History

Aspects of Human Experience: Works from the Permanent Collection, Harrington Gallery Teaching Exhibition, Art History 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 12, 1998-March 14, 1999.

German and Austrian Sculpture in the Eighteenth Century, The University of Kansas, Lawrence, Kansas, 1954.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, 2007-January 14, 2008.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 20-October 27, 2009.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, February 4, 2004-February 20, 2005.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 17, 2000-September 21, 2003.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 20, 2011.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 3, 1999-August 1, 2000.

Living with Sculpture: Presence and Power in Europe, 1400–1750, Citrin Family Gallery and Engles Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 23, 2024–March 22, 2025.

Publication History

Roger Arvid Anderson, The Roger Arvid Anderson Collection, Medals, Medallions, Plaquettes and Small Reliefs, Paintings, Sculpture, Works on Paper and Textiles, San Francisco: Roger Arvid Anderson (published privately), design by David L. Wilson, 2015, p. 272.

Provenance

Oscar Bondy (1870-1944), Vienna, Austria, before 1938; confiscated by Nazi forces; acquired for the Oberösterreichisches Landesmuseum, Linz, Austria; recovered by the United States Fine Arts Commission; restituted to Elisabeth Bondy (1890–1974), after 1947, New York, USA; sold to Ruth and Leopold Blumka, New York, USA, before 1960; sold Sotheby’s, New York, “European Works of Art from the Private Collection and gallery of the Blumka Estate,” 9/10 January 1996, lot no. 110; private collection Southern Germany; Neumeister Auction House, Paintings, Prints & Sculpture, Sale 300, lot 1149, Munich, Germany, July 1, 1998; Roger Arvid Anderson, San Francisco, about 1998; lent to present collection, 1998; sold to present collection, 2016.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu

Subjects