The Painter in His Studio

Adriaen van Ostade, Dutch, 1610 - 1685

Share

See Previous Article See next Article

about 1647-1653

Etching on laid paper

Image: 8 1/4 × 6 11/16 in. (21 × 17 cm)

Sheet: 8 7/8 × 7 3/16 in. (22.6 × 18.3 cm)

Hood Museum of Art, Dartmouth: Purchased through the Jean and Adolph Weil Jr. 1935 Fund, the Barbara Dau ’78 Fund for European Art, the Julia L. Whittier Fund, and the Miriam H. and S. Sidney Stoneman Acquisition Fund

2016.28.2

Geography

Place Made: Netherlands, Europe

Period

1600-1800

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Watermark: Phoenix in a crown of laurel (Godefroy watermark no. 33)

Course History

ITAL 1.01, Introductory Italian I, Giorgio Alberti, Fall 2022

ITAL 1.02, Introductory Italian I, Andrea Zoller, Fall 2022

ITAL 1.03, Introductory Italian I, Andrea Zoller, Fall 2022

Italian 1.02, Introductory Italian I, Andrea Zoller, Winter 2023

Italian 1.01, Introductory Italian I, Giorgio Alberti, Winter 2023

Italian 11.01, Intensive Italian, Giorgio Alberti, Winter 2023

Art History 7.05, Pompeii: Antique & Modern, Ada Cohen, Winter 2023

Italian 2.01, Introductory Italian II, Andrea Zoller, Winter 2023

Italian 2.02, Introductory Italian II, Matteo Gilebbi, Winter 2023

Exhibition History

From Altarpiece to Portrait: Assembling a European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26-July 21, 2019.

Virtual Space for Dialogue, 2018, The Labor of Art: from Sol LeWitt to the Guerrilla Girls, Kimberly Yu, Class of 2018, Homma Family Intern, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire. https://www.kyu.vsfd.hoodmuseum.dartmouth.edu/

Provenance

Robert Hoe (1839-1909) Collection Sale, American Art Association, New York, February 22, 1911, lot no. 3587; purchased by the art delear Richard Ederheimer (1878-1959), New York for an unnamed buyer, 1911; unknown collection(s), 1911-2016; Susan Schulman Printseller, New York, New York; sold to present collection, 2016.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu