Writ Large
Toyin Ojih Odutola, Nigerian (works in New York City), born 1985
2016
Pen ink, gel ink, marker and graphite on paper
Sheet: 17 × 14 in. (43.2 × 35.6 cm)
Hood Museum of Art, Dartmouth: Purchased through the Contemporary Art Fund
2016.16
Geography
Place Made: Nigeria, Western Africa, Africa
Period
21st century
Object Name
Drawing
Research Area
Africa
Drawing
Not on view
Course History
SART 15, Drawing I, Viktor Witkowski, Winter 2019
SART 15.02, Drawing I, Jack Wilson, Spring 2019
SART 15.01, Drawing I, Jack Wilson, Spring 2019
SART 15, Drawing I, Karol Kawiaka, Spring 2019
SART 15.01, Drawing I, Viktor Witkowski, Winter 2020
SART 15, Drawing I, Jack Wilson, Winter 2020
SART 15.02, Drawing I, Lucy Mink Covello, Winter 2020
SART 22, Figure Drawing, Jerry Auten, Winter 2020
SART 15.01, Drawing I, Esme Thompson, Fall 2020
SART 15.02, Drawing I, Karol Kawiaka, Spring 2021
SART 15.02, Drawing I, Karol Kawiaka, Spring 2021
SART 15.02, Drawing I, Karol Kawiaka, Spring 2021
SART 15.02, Drawing I, Karol Kawiaka, Spring 2021
SART 15.02, Drawing I, Karol Kawiaka, Spring 2021
SART 17.08, Digital Drawing, Karol Kawiaka, Fall 2021
SART 17.08, Digital Drawing, Karol Kawiaka - OPEN HOURS, Fall 2021
SART 15.01, Drawing I, Jack Wilson, Fall 2021
SART 17.08, Digital Drawing, Karol Kawiaka - OPEN HOURS, Fall 2021
SART 17.08, Digital Drawing, Karol Kawiaka - OPEN HOURS, Fall 2021
SART 76, Senior Seminar, Enrico Riley, Winter 2022
WRIT 3, Composition and Research II, Doug Moody, Winter 2022
SART 15.03, Drawing I, Karol Kawiaka, Spring 2022
SART 15.02, Drawing I, Karol Kawiaka, Spring 2022
SART 15.02, Drawing I, Karol Kawiaka, Spring 2022
GEOG 72.01/AAAS 67.50/WGSS 66.09, Black Consciousness Black Feminism, Abby Neely, Spring 2022
SART 25.01, Painting I, Danielle Genadry, Summer 2022
SART 17.08, Digital Drawing, Karol Kawiaka, Fall 2022
SART 20/SART 71, Drawing II/Drawing III, Jack Wilson, Fall 2022
Studio Art 15.02, Drawing I, Jack Wilson, Winter 2023
Writing Program 3.06, Composition and Research II, Doug Moody, Winter 2023
Provenance
Jack Shainman Gallery, New York, New York; sold to present collection, 2016.
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