Teatro de Variedades en Harlem (Vaudeville in Harlem)
José Clemente Orozco, Mexican, 1883 - 1949
1928
Lithograph on wove Rives BFK paper
Image: 14 × 18 3/4 in. (35.6 × 47.7 cm)
Sheet: 15 15/16 × 22 13/16 in. (40.5 × 58 cm)
Hood Museum of Art, Dartmouth: Purchased through the Robert J. Strasenburgh II 1942 Fund
© 2018 Artists Rights Society (ARS), New York / SOMAAP, Mexico City
2015.1.2
Printer
George C. Miller
Publisher
Weyhe Gallery, New York
Geography
Place Made: Mexico, North America
Period
20th century
Object Name
Research Area
Not on view
Inscriptions
Initialed, in stone, lower right: J.C.O.; signed, in graphite, lower right: Jose Clemente Orozco; Watermark: RIVES
Course History
ARTH 72, Mexican Muralism, Mary Coffey, Spring 2015
ARTH 40.04, LACS 30.09, Mexicanidad: Constructing and Dismantling Mexican National Identity, Mary Coffey, Winter 2019
Latino Studies 44.01, Latino Roots and Transitions, Thamyris Almeida, Winter 2023
Spanish 80.26, USA in Lorca, Buñuel & Dalí, José del Pino, Spring 2024
Publication History
Mary Coffey, "Jose Clemente Orozco’s Dancing Indians" The Art Bulletin December 2020, vol. 201, no. 4: 90-120.
Mary K. Coffey, "Feeling Brown or Acting White? Spectacles of Racialized Performance and Pain in José Clemente Orozco's U.S.-based Prints," American Art, vol.37, no.2, Summer 2023, Chicago, IL: University of Chicago Press in association with the Smithsonian American Art Museum, pp. 2-27, ill. p. 2-3, fig. 1.
Provenance
Weyhe Gallery, Mount Desert, Maine; sold to present collection, 2015.
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