Initialed, in stone, lower right: J. C.O.; signed, in graphite, below image, lower right: Jose Clemente Orozco; Watermark: BFK / FRANCE
ARTH 72, Mexican Muralism, Mary Coffey, Spring 2015
ARTH 40.04, LACS 30.09, Mexicanidad: Constructing and Dismantling Mexican National Identity, Mary Coffey, Winter 2019
Camo, Gabriela, Jocelyn Olcott and Mary K. Vaughn. Sex in Revolution: Gender, Politics and Power in Modern Mexico. Durham: Duke University Press, 2006.
Charlot, Jean. "Orozco in New York: Based on His Letters to the Author." College Art Journal. 19.1 (Autumn, 1959), 40-53. http://www.jstor.org/stable/774081.
Mello, Renato González, and Diane Miliotes, eds. Jose´ Clemente Orozco in the United States: 1927-1934. New York: Norton, 2002. Hood Museum of Art.
Weyhe Gallery, Mount Desert, Maine; sold to present collection, 2015.
Clemente Orozco, Jose Clemente Orozco, Graphic Works, 2004, no. 4.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu