Aubert Editeur. Faut avouer que l'gouvernement a une bein drôle de tête (The Publisher Aubert. You must admit the government has a comic appearance)

Charles Joseph Traviès de Villers, Swiss, 1804 - 1859
after Charles Philipon, French, 1802 - 1862

Share

1831

Lithograph on paper

Plate: 9 3/4 × 11 1/16 in. (24.8 × 28.1 cm)

Sheet: 10 1/4 × 13 5/16 in. (26 × 33.8 cm)

Hood Museum of Art, Dartmouth: Purchased through the Jean and Adolph Weil Jr. 1935 Fund

2014.57.9

Geography

Place Made: Switzerland, Europe

Period

19th century

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Signed in stone, lower right: C. J Traviès; inscribed, in print, upper right: La Caricature (Journal) / (No.60.); inscribed, in print, upper right: Pl.121.; inscribed in print above image: AUBERT EDITEUR.; inscribed, in print, beneath image: Faut aveuer que l'governement a une bein drole de tete.; inscribed, in print, lower left: Ch. Philipon in.r.

Course History

FREN 8, Exploring French Culture and Language, Annabelle Cone, Fall 2014

WRIT 5, On Poor Taste, William Boyer, Winter 2015

GERM 03, Intermediate German, Klaus Mladek and Lisa Oberberger, Spring 2020

GERM 03, Intermediate German, Klaus Mladek and Lisa Oberberger, Spring 2020

GERM 003, Intermediate German, Lisa Oberberger, Fall 2020

GERM 003, Intermediate German, Lisa Oberberger, Fall 2020

GERM 03, Intermediate German, Lisa Oberberger, Winter 2021

GERM 03, Intermediate German, Lisa Oberberger, Spring 2021

GERM 03, Intermediate German, Klaus Mladek and Lisa Oberberger, Spring 2021

Published References

See Elise K.Kenney & John M.Merriman, 'The Pear: French Graphic Arts in the Golden Age of Caricature', South Hadley, Massachusetts 1991, p.100, cat.17. Also Judith Wechsler, 'A Human Comedy. Physiognomy and Caricature in 19th Century Paris', London 1982, p.67, fig.42. Nadine Orenstein, Constance C. McPhee, "Infinite Jest: Caricature and Satire from Leonardo to Levine" Ex. cat.: September 13, 2011 - March 4, 2012. The Metropolitan Museum of Art, New Haven and London, 2011, fig. no. 10, 14, ill.

Provenance

James A. Bergquist, Newton Centre, Massachusetts; sold to present collection, 2014.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu