Initialled, on reverse, lower right, in graphite: MG; numbered, on reverse, lower left, in graphite: 8/10
In these two prints, Martine Gutierrez plays the role of Raquel, one of four life- size sex doll personae created and performed as part of her Real Dolls series. Posing in domestic spaces with vacant eyes and motionless joints, Gutierrez highlights the thin line between fiction and reality and prompts viewers to consider what happens when those lines are blurred. A Latinx, Indigenous, and transgender artist, she often pushes against society’s perpetuation of, in her words, "rigid constructs—fabricated dichotomies like ‘male’ vs. ‘female,’ ‘gay’ vs. ‘straight,’ ‘minority’ vs. ‘white,’ ‘reality’ vs. ‘fantasy,’ ‘dominant’ vs. ‘submissive,’ etc.," by exploring the ambiguity and fluidity of such categories.
For the Real Dolls series, Gutierrez wore a variety of looks and poses she imagined would cater to heteronormative male consumers. Hanging near Francesca Woodman’s My House, Providence, Rhode Island, Gutierrez’s Raquel 2 features a figure similarly wrapped in plastic and tucked into the corner of a house, both bodies trapped within the confines of domesticity.
From the 2022 exhibition Embodied: Artist as Medium, curated by Isadora Italia, Campus Engagement Manager
WGST 65.6, Radical Sexuality: Of Color, Wildness and Fabulosity, Eng-Beng Lim, Winter 2015
WRIT 5, Visual Culture, Aimee Bahng, Winter 2015
WRIT 8, Writing with Media, Kenneth Bauer, Spring 2015
SART 30, SART 75, Photography II and III, Virginia Beahan, Spring 2019
About Face: Self-Portraiture in Contemporary Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 23-August 30, 2015.
Embodied: Artist as Medium, Isadora Italia, MALS Class of 2022, Sol LeWitt Wall, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 1–December 17, 2022.
Ryan Lee Gallery, New York, New York; sold to present collection, 2014.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu