Untitled (female nude); from The i-jusi Portfolio Number 3: South African Photographs

Zanele Muholi, South African, born 1972



Gelatin silver print on Baryta Fibre 300g archival paper


Image: 7 5/16 × 10 5/8 in. (18.6 × 27 cm)

Sheet: 16 9/16 × 13 3/8 in. (42 × 34 cm)

Hood Museum of Art, Dartmouth: Gift of Marina and Andrew E. Lewin, Class of 1981



Place Made: South Africa, Southern Africa, Africa


21st century

Object Name


Research Area



Not on view


Signed, on reverse, lower right, in graphite: Z. Muholi; numbered, lower left, on reverse, in graphite: 6/50; Embossed, lower right: [i-jusi symbol]

Course History

THEA 10.64/AAAS 54.05/WGSS 66.15, Feminist and Queer Africa on Stage and Screen, Laura Edmondson, Winter 2022

Theater 10.64, African and African-American Studies 54.05, Women's, Gender, and Sexuality Studies 66.15, Feminist and Queer Africa, Laura Edmondson, Spring 2023

Exhibition History

New Humanisms, Art History 5, Winter 2020, Mary Coffey, Associate Professor of Art History, Chad Elias, Assistant Professor of Art History, Teaching Exhibition, Class of 1967 Gallery, Hood Museum of Art, Dartmouth, January 18, 2020 – March 15, 2020.

Virtual Space for Dialogue: 2017, Vanity: Disrupting The Female Nude, Jessica King Fredel, Class of 2017, Levinson Intern, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire. https://www.jkingfredel.vsfd.hoodmuseum.dartmouth.edu/


Marina and Andrew E. Lewin, New York, New York; lent to present collection, 2013; given to present collection, 2018.

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