Nature morte à la bouteille de marc (Still Life with a Bottle of Marc)

Pablo Picasso, Spanish, 1881 - 1973


1911; printed 1912

Drypoint on Arches paper

Before the edition of 100

Plate: 19 11/16 × 12 1/16 in. (50 × 30.6 cm)

Sheet: 25 3/16 × 17 9/16 in. (64 × 44.6 cm)

Hood Museum of Art, Dartmouth: Purchased through the Florence and Lansing Porter Moore 1937 Fund, the Adelbert Ames Fine Arts Award Fund, the Stephen and Constance Spahn '63 Acquisition Fund, the Anonymous Fund #144, the Robert J. Strasenburgh II 1942 Fund, the Phyllis and Bertram Geller 1937 Memorial Fund, the Barbara Dau Southwell '78 and David P. Southwell T'88 Fund for European Art



Eugene Delâtre, Paris


Daniel-Henry Kahnweiler, Paris


Place Made: Spain, Europe


20th century

Object Name


Research Area


Not on view


Signed, in graphite, lower right margin: Picasso.

Course History

ENGL 53, Twentieth Century British Fiction: 1900 to WWII, Brenda Silver, Spring 2013

ARTH 16.2, Picasso: The Vollard Suite, Michael R. Taylor, Fall 2013

THEA 90, Contemporary Practices in U.S. Theater, Laurie Cherba Kohn, Fall 2013

WRIT 5, The Waste Land, Before and After, Melissa Zeiger, Fall 2013

Writing 7.2, Writers on Writing, Wendy Piper, Spring 2014

THEA 17, 19th and 20th century Performance, Laura Edmondson, Spring 2014

WRIT 7.2, Writers on Writing, Wendy Piper, Spring 2015

Exhibition History

Cubism and Its Legacy, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 17-December 20, 2013.

Publication History

Old Master, Modern and Contemporary Prints, Christie’s Sale Catalogue (no. 7570). London, 2008.

Published References

Bloch, Georges. Pablo Picasso: Catalogue de l'œuvre gravé et lithographié, vol. 1, no. 24. 4 vols. Berne: Kornfeld et Klipstein, 1968-1979. Geiser, Bernhard and Brigitte Baer. Picasso, peintre-graveur: Catalogue illustré de l'œuvre gravé et lithographié, 1899-1931, vol. 1, no. 33/b. 7 vols. Berne: Chez l'auteur, 1933-1996.


Christie’s London, Wednesday, April 02, 2008 (lot no. 222); sold to a private collector (Baltimore, Maryland); Thomas Segal Gallery, Baltimore, Maryland; sold to present collection, 2012.

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