Give Way, from the series Mis/perceptions

Darren Siwes, Ngalkban / Australian, born 1968, Ngalkban, Adelaide, South Australia, Australia

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2001

Cibachrome photograph with supergloss finish

Overall: 39 3/8 × 49 3/16 in. (100 × 125 cm)

Hood Museum of Art, Dartmouth College: Gift of Will Owen and Harvey Wagner

2011.60.72

Geography/Culture

Oceania, Australia, Indigenous Australia

Period

21st century

Object Name

Photograph

Classification

Photograph

On view

Course History

SART 29, Photography I, Christina Seely, Fall 2019

ANTH 3.02, Introduction to Cultural Anthropology, Chelsey Kivland, Fall 2019

ANTH 3.01, Introduction to Cultural Anthropology, Chelsey Kivland, Fall 2019

SART 29, Photography I, Christina Seely, Spring 2019

SART 17.9, The Photographer as Activist: Making Art Inspired by the Hood Museum‘s Collection, Virginia Beahan, Winter 2015

NAS 42, Gender Issues in Native American Life, Vera Palmer, Fall 2012

ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012

WRIT 5, Indigenous Knowledge and Development, Kenneth Bauer, Winter 2013

SART 20, SART 71, Drawing II, Drawing III, Colleen Randall, Fall 2012

WRIT 5, Nature and Imagination: The Meanings of Place, William Nichols, Fall 2012

ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012

ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012

THEA 28, Dance Composition, Ford Evans, Fall 2012

SART 15, Drawing I, Gerald Auten, Fall 2012

ARTH 16, ANTH 50, Australian Aborigional Art, Howard Morphy, Fall 2012

SART 25, Painting I, Esme Thompson, Fall 2012

SART 25, Painting I, Enrico Riley, Fall 2012

ANTH 30, Hunters and Gatherers, Nathaniel Dominy, Fall 2012

SART 30, Photography II, Brian Miller, Fall 2012

SART 29, Photography I, Brian Miller, Fall 2012

ARTH 16, ANTH 50.4, Indigenous Australian Art and the Politics of Curation, Stephen Gilchrist, Winter 2012

ARTH 16, ANTH 50.4, Indigenous Australian Art and the Politics of Curation, Stephen Gilchrist, Winter 2012

Exhibition History

Virtual Space for Dialogue, 2017, Self (Hood), Alison Guh, Class of 2017, Mellon Special Prjects Intern, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire. https://www.aguh.vsfd.hoodmuseum.dartmouth.edu/

Shifting the Lens: Indigenous Australian Photography, Louise and Morton Kaish Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, February 15-June 21, 2020.

Crossing Cultures: The Owen and Wagner Collection of Contemporary Aboriginal Australian Art at the Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 15, 2012-March 10, 2013; Toledo Museum of Art, April 11-July 14, 2013.

Publication History

Stephen Gilchrist, editor, Crossing Cultures, The Owen and Wagner Collection of Contemporary Aboriginal Art at the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2012, p. 58, Fig 5.1; p. 158, no. 112.

Provenance

Greenway Art Gallery, Kent Town, Southern Australia, Australia; sold to Will Owen (1952-2015) and Harvey Wagner (1931-2017), Chapel Hill, North Carolina, September 4, 2002; lent to present collection, 2011; given to present collection, 2013.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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