Paulus Pontius
Anthony van Dyck, Flemish, 1599 - 1641
about 1630; reprinted in the 2nd half of the 17th century
Etching and engraving on laid paper
Overall: 9 1/8 × 6 7/16 in. (23.2 × 16.3 cm)
Hood Museum of Art, Dartmouth: Purchased through the Adelert Ames, Jr. 1919 Fund
2009.62
Portfolio / Series Title
Iconography
Geography
Place Made: Belgium, Europe
Period
1600-1800
Object Name
Research Area
Not on view
Course History
ARTH 46, Northern Baroque Art, Joy Kenseth, Spring 2012
ARTH 46, Northern Baroque Art, Joy Kenseth, Spring 2015
ARTH 2, Introduction to the History of Art II, Joy Kenseth, Mary Coffey, Winter 2016
ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016
ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016
ARTH 2, Introduction to the History of Art II, Mary Coffey, Joy Kenseth, Winter 2019
Exhibition History
Points of View, Art History 2, ARTH 2, Winter 2016, Joy Kenseth and Mary Coffey, Harrington Gallery Teaching Exhibition, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 1-March 13, 2016.
The Artful Disposition of Shades: The Great Age of English Mezzotints, Owen Robertson Cheatham and Friends Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 19 through March 14, 2010.
The Golden Age: 17th century Art in The Netherlands, Northern Baroque Art, Art History 46, Joy Kenseth, Teaching Exhibition, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 31-May 31, 2015.
Publication History
T.Barton Thurber, The Artful Disposition of Shades: The Great Age of English Mezzotints, Hanover: Trustees of Dartmouth College, Capital Offset Company Inc., 2010, ill. Fig. 4, p. 6, checklist p. 19.
Provenance
Emile Stuyck, Brussels; C. G. Boerner Inc., New York, New York; sold to present collection, 2009.
Catalogue Raisonne
Mauguqoy-Hendricks, Marie. L'iconographie d'Antoine Van Dyck catalogue raisonne, 2nd ed., 2 vols. Bruxells: Bibliotheque royale Albert I, 1991, no. 9.
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