Untitled (Identity Could Be A Tragedy), from the series When I Am Not Here / Estoy Alla

María Magdalena Campos-Pons, Cuban, born 1959

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1996

Polaroid photograph

Overall: 20 × 24 in. (50.8 × 61 cm)

Hood Museum of Art, Dartmouth: Purchased in honor of Hugh Freund, Class of 1967, Class of 2008P

© Maria Magdalena Campos-Pons

2008.7

Geography

Place Made: Cuba, Caribbean, Central America

Period

20th century

Object Name

Photograph

Research Area

Photograph

Not on view

Course History

HIST 6.3, AAAS 88.2, WGST 38.2, Women and Gender in the African Diaspora, Rashauna Chenault, Spring 2012

FREN 7, French Graphic Novels, Annabelle Cone, Spring 2013

ENVS 80, Writing Our Way Home: The Writing That Sustains Us, Terry Tempest Williams, Spring 2013

WRIT 5, Identity in the Migration Memoir, Lisa Lopez Synder, Winter 2014

WRIT 5, Identity in the Migration Memoir, Lisa Lopez Synder, Winter 2014

ANTH 3, Introduction to Cultural Anthropology, Chelsey Kivland, Winter 2015

ANTH 3, Introduction to Cultural Anthropology, Chelsey Kivland, Winter 2015

LATS 41, Latinos in Media and Arts, Douglas Moody, Spring 2019

SART 30, SART 75, Photography II and III, Virginia Beahan, Spring 2019

ANTH 33, AAAS 83.8, LACS 38, Global Caribbean, Chelsey Kivland, Spring 2019

LALACS 80.2, GOVT 84.6, AAAS 90.1, Latin American, Latino and Caribbean Studies, Identities and Power in the Americas, Lisa Baldez, Spring 2019

ARTH 48.06, Borderlands Art and Theory, Tatiana Reinoza, Spring 2019

WGSS 10.01, Sex, Gender, and Society, Douglas Moody, Fall 2019

WGSS 10.02, Sex, Gender, and Society, Kristen O'Rourke, Fall 2019

WGSS 10.03, Sex, Gender, and Society, Jenn Sargent, Fall 2019

WGSS 10.04, Sex, Gender, and Society, Susan Brison, Fall 2019

Exhibition History

A Space for Dialogue 93, Los Mojados: Migrant Bodies and Latinx Identities, Armando Pulido, Class of 2019, Class of 1954 Intern, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, May 11-June 16, 2019.

Black Womanhood: Images, Icons, and Ideologies of the African Body, Friends Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.

Made in the Middle: Constructing Black Identities across the African Diaspora, Introduction to Cultural Anthropology, Anthropology 3, Winter 2015, Chelsey Kivland, Teaching Exhibition, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 15, 2014-March 15,2015.

Word and Image in Contemporary Art, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 26-August 4, 2013.

Publication History

Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, ill. plate 120.

Mark. A. Grimsley, Black Womanhood: A History of Misrepresentation, The Collegiate Journal of Art, Spring 2008, Volume IV, 2008, pp. 118-119, ill. p. 119.

Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.205, no.259.

Armando Pulido, Class of 2019, Class of 1954 Intern, A Space for Dialogue 93, Los Mojados: Migrant Bodies and Latinx Identities, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019.

Provenance

Howard Yezerski Gallery, Boston, Massachusetts; sold to present collection, 2008.

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