Untitled (Identity Could Be A Tragedy), from the series When I Am Not Here / Estoy Alla
María Magdalena Campos-Pons, Cuban, born 1959
1996
Polaroid photograph
Overall: 20 × 24 in. (50.8 × 61 cm)
Hood Museum of Art, Dartmouth: Purchased in honor of Hugh Freund, Class of 1967, Class of 2008P
© Maria Magdalena Campos-Pons
2008.7
Geography
Place Made: Cuba, Caribbean, Central America
Period
20th century
Object Name
Photograph
Research Area
Photograph
Not on view
Course History
HIST 6.3, AAAS 88.2, WGST 38.2, Women and Gender in the African Diaspora, Rashauna Chenault, Spring 2012
FREN 7, French Graphic Novels, Annabelle Cone, Spring 2013
ENVS 80, Writing Our Way Home: The Writing That Sustains Us, Terry Tempest Williams, Spring 2013
WRIT 5, Identity in the Migration Memoir, Lisa Lopez Synder, Winter 2014
WRIT 5, Identity in the Migration Memoir, Lisa Lopez Synder, Winter 2014
ANTH 3, Introduction to Cultural Anthropology, Chelsey Kivland, Winter 2015
ANTH 3, Introduction to Cultural Anthropology, Chelsey Kivland, Winter 2015
LATS 41, Latinos in Media and Arts, Douglas Moody, Spring 2019
SART 30, SART 75, Photography II and III, Virginia Beahan, Spring 2019
ANTH 33, AAAS 83.8, LACS 38, Global Caribbean, Chelsey Kivland, Spring 2019
LALACS 80.2, GOVT 84.6, AAAS 90.1, Latin American, Latino and Caribbean Studies, Identities and Power in the Americas, Lisa Baldez, Spring 2019
ARTH 48.06, Borderlands Art and Theory, Tatiana Reinoza, Spring 2019
WGSS 10.01, Sex, Gender, and Society, Douglas Moody, Fall 2019
WGSS 10.02, Sex, Gender, and Society, Kristen O'Rourke, Fall 2019
WGSS 10.03, Sex, Gender, and Society, Jenn Sargent, Fall 2019
WGSS 10.04, Sex, Gender, and Society, Susan Brison, Fall 2019
Exhibition History
A Space for Dialogue 93, Los Mojados: Migrant Bodies and Latinx Identities, Armando Pulido, Class of 2019, Class of 1954 Intern, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, May 11-June 16, 2019.
Black Womanhood: Images, Icons, and Ideologies of the African Body, Friends Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.
Made in the Middle: Constructing Black Identities across the African Diaspora, Introduction to Cultural Anthropology, Anthropology 3, Winter 2015, Chelsey Kivland, Teaching Exhibition, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 15, 2014-March 15,2015.
Word and Image in Contemporary Art, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 26-August 4, 2013.
Publication History
Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, ill. plate 120.
Mark. A. Grimsley, Black Womanhood: A History of Misrepresentation, The Collegiate Journal of Art, Spring 2008, Volume IV, 2008, pp. 118-119, ill. p. 119.
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.205, no.259.
Armando Pulido, Class of 2019, Class of 1954 Intern, A Space for Dialogue 93, Los Mojados: Migrant Bodies and Latinx Identities, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019.
Provenance
Howard Yezerski Gallery, Boston, Massachusetts; sold to present collection, 2008.
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