Untitled (Breast and Bottle Feeding), from the series When I Am Not Here / Estoy Alla

Maria Magdalena Campos-Pons, Cuban, born 1959

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1994

Polaroid photograph

Overall: 20 × 24 in. (50.8 × 61 cm)

Hood Museum of Art, Dartmouth College: Purchased through the Contemporary Art Fund

© Maria Magdalena Campos-Pons

2009.12

Geography/Culture

Central America, Caribbean, Cuba

Period

20th century

Object Name

Photograph

Classification

Photograph

Not on view

Course History

AAAS 10, Introduction to African American Studies, Trica Keaton, Winter 2020

GOVT 49.04, LACS 52.01, WGSS 31.01, Sex and the State: Latin America, Lisa Baldez, Fall 2019

ANTH 64, The Evolution of Pregnancy, Zaneta Thayer, Spring 2019

COLT 10.21, Coming to America, Gerd Gemunden, Spring 2019

ANTH 33, AAAS 83.8, LACS 38, Global Caribbean, Chelsey Kivland, Spring 2019

SART 30, SART 75, Photography II and III, Virginia Beahan, Spring 2019

AAAS 67.5, GEOG 21.01, Black Consciousness and Black Feminisms, Abigail Neely, Winter 2019

WRIT 5, Family Memoir, Ellen Rockmore, Winter 2015

ANTH 3, Introduction to Cultural Anthropology, Chelsey Kivland, Winter 2015

ANTH 3, Introduction to Cultural Anthropology, Chelsey Kivland, Winter 2015

COLT 67, AAAS 67, ENGL 54, WGST 52.1, Colonial and Postcolonial Masculinities, Ayo Coly, Winter 2014

WRIT 5, Memoirs of Family, Ellen Rockmore, Winter 2014

WRIT 5, Identity in the Migration Memoir, Lisa Lopez Synder, Winter 2014

WRIT 5, Identity in the Migration Memoir, Lisa Lopez Synder, Winter 2014

NAS 42, WGST 40, Gender Topics in Native American Life, Vera Palmer, Fall 2013

ANTH 31, WGST 36, Gender in Cross-Cultural Perspective, Lauren Gulbas, Fall 2013

NAS 42, WGST 40, Gender Topics in Native American Life, Vera Palmer, Fall 2013

WGST 37.2, GEOG 41, Gender, Space and Islam, Jennifer Fluri, Fall 2013

WGST 10, Sex, Gender, and Society, Giavanna Munafo, Fall 2013

WRIT 5, Memoirs of Family, Ellen Rockmore, Fall 2013

SART 29, Photography I, Fall 2013

SART 30, Photography II, Fall 2013

REL 7, Dark Goddesses and Black Madonnas, Elizabeth Perez, Winter 2013

HIST 16, AAAS 12, Black America to the Civil War, Rashauna Chenault, Winter 2013

HIST 6.3, AAAS 88.2, WGST 38.2, Women and Gender in the African Diaspora, Rashauna Chenault, Spring 2012

Exhibition History

Virtual Space for Dialogue: 2017, Vanity: Disrupting The Female Nude, Jessica King Fredel, Class of 2017, Levinson Intern, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire. https://www.jkingfredel.vsfd.hoodmuseum.dartmouth.edu/

Shadowplay: Transgressive Photography from the Hood Museum of Art, Owen Robertson Cheatham and Friends Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 10-December 8, 2013.

Made in the Middle: Constructing Black Identities across the African Diaspora, Introduction to Cultural Anthropology, Anthropology 3, Winter 2015, Chelsey Kivland, Teaching Exhibition, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 15, 2014-March 15,2015.

Black Womanhood: Images, Icons, and Ideologies of the African Body, Friends Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.

Publication History

Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, p. 334, plate 115.

Provenance

The artist, Brookline, Massachusetts; sold to present collection, 2009.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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