Untitled (Breast and Bottle Feeding), from the series When I Am Not Here / Estoy Alla
Maria Magdalena Campos-Pons, Cuban, born 19591994
Polaroid photograph
Overall: 20 × 24 in. (50.8 × 61 cm)
Hood Museum of Art, Dartmouth College: Purchased through the Contemporary Art Fund
© Maria Magdalena Campos-Pons
2009.12
Geography/Culture
Central America, Caribbean, Cuba
Period
20th century
Object Name
Photograph
Classification
Photograph
Not on view
Course History
AAAS 10, Introduction to African American Studies, Trica Keaton, Winter 2020
GOVT 49.04, LACS 52.01, WGSS 31.01, Sex and the State: Latin America, Lisa Baldez, Fall 2019
ANTH 64, The Evolution of Pregnancy, Zaneta Thayer, Spring 2019
COLT 10.21, Coming to America, Gerd Gemunden, Spring 2019
ANTH 33, AAAS 83.8, LACS 38, Global Caribbean, Chelsey Kivland, Spring 2019
SART 30, SART 75, Photography II and III, Virginia Beahan, Spring 2019
AAAS 67.5, GEOG 21.01, Black Consciousness and Black Feminisms, Abigail Neely, Winter 2019
WRIT 5, Family Memoir, Ellen Rockmore, Winter 2015
ANTH 3, Introduction to Cultural Anthropology, Chelsey Kivland, Winter 2015
ANTH 3, Introduction to Cultural Anthropology, Chelsey Kivland, Winter 2015
COLT 67, AAAS 67, ENGL 54, WGST 52.1, Colonial and Postcolonial Masculinities, Ayo Coly, Winter 2014
WRIT 5, Memoirs of Family, Ellen Rockmore, Winter 2014
WRIT 5, Identity in the Migration Memoir, Lisa Lopez Synder, Winter 2014
WRIT 5, Identity in the Migration Memoir, Lisa Lopez Synder, Winter 2014
NAS 42, WGST 40, Gender Topics in Native American Life, Vera Palmer, Fall 2013
ANTH 31, WGST 36, Gender in Cross-Cultural Perspective, Lauren Gulbas, Fall 2013
NAS 42, WGST 40, Gender Topics in Native American Life, Vera Palmer, Fall 2013
WGST 37.2, GEOG 41, Gender, Space and Islam, Jennifer Fluri, Fall 2013
WGST 10, Sex, Gender, and Society, Giavanna Munafo, Fall 2013
WRIT 5, Memoirs of Family, Ellen Rockmore, Fall 2013
SART 29, Photography I, Fall 2013
SART 30, Photography II, Fall 2013
REL 7, Dark Goddesses and Black Madonnas, Elizabeth Perez, Winter 2013
HIST 16, AAAS 12, Black America to the Civil War, Rashauna Chenault, Winter 2013
HIST 6.3, AAAS 88.2, WGST 38.2, Women and Gender in the African Diaspora, Rashauna Chenault, Spring 2012
Exhibition History
Virtual Space for Dialogue: 2017, Vanity: Disrupting The Female Nude, Jessica King Fredel, Class of 2017, Levinson Intern, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire. https://www.jkingfredel.vsfd.hoodmuseum.dartmouth.edu/
Shadowplay: Transgressive Photography from the Hood Museum of Art, Owen Robertson Cheatham and Friends Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 10-December 8, 2013.
Made in the Middle: Constructing Black Identities across the African Diaspora, Introduction to Cultural Anthropology, Anthropology 3, Winter 2015, Chelsey Kivland, Teaching Exhibition, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, November 15, 2014-March 15,2015.
Black Womanhood: Images, Icons, and Ideologies of the African Body, Friends Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.
Publication History
Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, p. 334, plate 115.
Provenance
The artist, Brookline, Massachusetts; sold to present collection, 2009.
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.
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