Wow, Full-blooded White People

Dwayne Wilcox, American / Oglala Lakota, born 1957, Oglala Lakota, Lakota (Teton Sioux), Central Plains, Plains

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2008

Crayon, colored pencil and felt-tipped pen on ledger paper

Hood Museum of Art, Dartmouth College: Purchased through the Guernsey Center Moore 1904 Fund

2008.59.5

Geography/Culture

North America, United States

Period

21st century

Object Name

Ledger Drawing

Classification

Native American

Drawing

Native American: Plains

Not on view

Course History

SOCY 7.1, Race and Ethnicity, Emily Walton, Winter 2015

SART 17.9, The Photographer as Activist: Making Art Inspired by the Hood Museum's Collection, Virginia Beahan, Winter 2015

NAS 8, Perspectives in Native American Studies, Vera Palmer, Fall 2014

NAS 8, Perspectives in Native American Studies, Vera Palmer, Fall 2014

SOCY 7.2, Race and Ethnicity, Emily Walton, Spring 2014

NAS 30.2, ARTH 16, Plains Ledger Drawings and Their Complexities, Joyce Szabo, Summer 2013

NAS 8, Perspectives in Native American Studies, Vera Palmer, Spring 2013

NAS 8, Perspectives in Native American Studies, Vera Palmer, Spring 2013

NAS 8, Perspectives in Native American Studies, Vera Palmer, Fall 2012

NAS 8, Perspectives in Native American Studies, Vera Palmer, Spring 2012

Exhibition History

Making Connections at the Hood Museum of Art, Harrington Gallery Teaching Exhibition, Art History 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 20-April 14, 2009.

Contemporary Native American Ledger Art: Drawing on Tradition, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 14-December 19, 2010.

Publication History

Colin G. Calloway, First Peoples: A Documentary Survey of American Indian History, Boston: Bedford/St. Martin's, 2012, p. 624

Colin G. Calloway, Editor, Ledger Narratives, The Plains Indian Drawings of the Lansburgh Collection at Dartmouth College, Norman: University of Oklahoma Press (published in cooperation with the Hood Museum of Art, Dartmouth College, Hanover, New Hampshire), 2012, p. 214, figure 5.15.

Angela Rosenthal and David Bindman, No Laughing Matter: Visual Humor in Ideas of Race, Nationality, and Ethnicity, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2003, p 624

Provenance

Morning Star Gallery, Santa Fe, New Mexico; sold to present collection, 2008.

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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