Sampler

Apphia Amanda Young, American, 1822 - 1910

Share

See Previous Article See next Article

1838

Linen embroidered with silk thread

Overall: 17 3/8 × 17 3/8 in. (44.1 × 44.1 cm)

Frame: 19 7/8 × 19 7/8 in. (50.5 × 50.5 cm)

Hood Museum of Art, Dartmouth: Purchased through the Julia L. Whittier Fund, the Guernsey Center Moore 1904 Memorial Fund, and the Phyllis and Bertram Geller 1937 Memorial Fund

2006.77

Geography

Place Made: United States, North America

Period

19th century

Object Name

Textile: Sampler

Research Area

Decorative Arts

On view

Label

Stitched in her “seventeenth year” (age sixteen) in Canterbury, New Hampshire, this sampler showcased Apphia Young’s abilities in embroidery, penmanship, and poetry. Flowers sprouting from the central urn trail along the ground to decorate the lower register, while baskets of flowers in blues, pinks, greens, and white climb either side. Looking closely, can you see the variety of her stitches and patterns?

Samplers showcased middle- and upper-class women’s needlework skills and literacy. Proudly signed at the center, Young’s sampler also included a poem that championed her moral virtues. The text would remind her family and descendants of her long after her death:

Apphia let virtues charms be thine
Charms that will increase and shine
They will cheer they winter’s gloom
They will last beyond the tomb

From the 2024 exhibition Beyond the Bouquet: Arranging Flowers in American Art, curated by Michael Hartman, Jonathan Little Cohen Associate Curator of American Art

Course History

HIST 27, WGST 23, Gender and Power in American History from the Colonial Period to the Civil War, Leslie Butler, Spring 2012

HIST 9.01, America: From Invasion to Independence, Paul Musselwhite, Fall 2019

HIST 5.14, Americas: Invasion to Independence, Paul Musselwhite and Ernesto Mercadeo-Montero, Fall 2022

History 5.14, Americas: From Invasion to Independence, Ernesto Mercado-Montero and Paul Musselwhite, Fall 2023

Exhibition History

American Art at Dartmouth: Highlights from the Hood Museum of Art, William B. Jaffe and Evelyn A. Jaffe Hall Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, June 9-December 9, 2007.

American Art, Colonial to Modern, Israel Sack Gallery and Rush Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 31, 2019-January 20, 2020.

American Folk Art at the Hood Museum of Art (a thematic partial permanent gallery installation); Israel Sack Gallery, Hood Museum of Art, Dartmouth College, July 16, 2015.

Beyond the Bouquet: Arranging Flowers in American Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 12, 2025 - late 2025.

Publication History

Barbara J. MacAdam, The Collections: New Acquisitions, Hood Museum of Art Quarterly, Hanover, New Hampshire: Dartmouth College, Spring 2007, p.14, ill.

Barbara J. MacAdam, American Art at Dartmouth: Highlights from the Hood Muesum of Art, Hanover: Trustees of Dartmouth College, 2007, p. 214-215, no. 188.

Barbara J. MacAdam, Building on Dartmouth's Historic American Collections: Hood Museum of Art Acquisitions since 1985, The Magazine Antiques, November 2007, New York: Brant Publications, color ill. p. 150.

Provenance

Stephen and Carol Huber, Old Saybrook, Connecticut; sold to present collection, 2006.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu