Passing Bells V

John Walker, English, born 1939

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2000

Color etching and aquatint on paper

Plate: 24 × 29 3/4 in. (60.9 × 75.6 cm)

Sheet: 31 7/16 × 36 3/4 in. (79.8 × 93.3 cm)

Hood Museum of Art, Dartmouth: Purchased through the Claire and Richard P. Morse 1953 Fund

© John Walker

2006.3.13

Publisher

Center Street Studio, Milton, Massachusetts

Geography

Place Made: England, United Kingdom, Europe

Period

20th century

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Inscribed, in graphite, at lower left, beneath image: 8/20; signed and dated, in graphite, at lower right, beneath image: Walker 00

Course History

Virtual Space for Dialogue Gallery Talk: The Soul Has Bandaged Moments, Spring 2021

SART 27/28/74, Printmaking I/II/III, Jennifer Caine, Winter 2022

SART 31/SART 72, Painting II/III, Jen Caine, Winter 2022

Studio Art 27.01/28.01/74.01, Printmaking I/II/III, Jen Caine, Winter 2023

Studio Art 27.01, Studio Art 28.01, Studio Art 74.01, Printmaking I, II, III, Jen Caine, Winter 2024

Exhibition History

A Space for Dialogue 100, The Soul Has Bandaged Moments, Kensington Cochran, Class of 2020, Conroy Intern, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth, Hanover, New Hampshire, March 6-May 16, 2021.

Alfredo Jaar, The Eyes of Gutete Emerita, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 8-September 3, 2006.

Publication History

Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.187, no.200.

Provenance

Center Street Studio, Milton, Massachusetts; sold to present collection, 2006.

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