The Vision of Saint Francis (Il Perdono de San Francesco d'Assisi)

Federico Barocci, Italian, 1535 - 1612

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1581

Etching and engraving on paper

Overall: 21 1/16 × 12 5/8 in. (53.5 × 32.1 cm)

Hood Museum of Art, Dartmouth: Purchased through the Jean and Adolph Weil Jr. 1935 Fund

2006.30

Geography

Place Made: Italy, Europe

Period

1400-1600

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Inscribed, in plate, lower left: Ostendit Christus se se Franciscus adorat, / Atque animaehic proscit sit sua cuique salus / Annuit æterno firmat sub fædere templum / O'uere Aligerum nomine sancta domus; inscribed, in plate, lower right: FEDERICUS BAROCIVS VRBINAS / Inventor incidebat 1581 / GREGORII XIII PRIVLEGIO / AD X Watermark: Eagle and moon in shield surmounted by a six-pointed star

Course History

ANTH 32, AMES 26, Anthropology of Tibet and the Himalayas, Sienna Craig, Spring 2013

ARTH 2, Introduction to the History of Art II, Joy Kenseth, Marlene Heck, Winter 2012

ARTH 86, Senior Seminar in Theory and Method, Mary Coffey, Winter 2012

REL 60, Reformations: Protestant and Catholic, Catherine Randall, Fall 2013

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

Exhibition History

European Art at Dartmouth: Highlights from the Hood Museum of Art, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 30, 2008-March 8, 2009.

From Altarpiece to Portrait: Assembling a European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 24, 2019 - January 28 2020.

Publication History

T. Barton Thurber, European Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2008, p.133, ill. p.132, no. 75.

Provenance

Pia Gallo Fine Old Master and Modern Prints, New York, New York; sold to present collection, 2006.

Catalogue Raisonne

Bartsch vol 17, no 4; The Illustrated Bartsch vol 34 no 4; Pillsbury & Richards 73

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