The Eyes of Gutete Emerita
Alfredo Jaar, Chilean, born 1956
1996
Digital video
5/6
Hood Museum of Art, Dartmouth: Purchased through the William S. Rubin Fund, the Contemporary Art Fund, the Guernsey Center Moore 1904 Memorial Fund, and the Anonymous Fund #144
© Alfredo Jaar
2006.17
Geography
Place Made: Chile, South America
Period
20th century
Object Name
Time Based Media
Research Area
Time Based Media
Not on view
Course History
FILM 48, SART 17, New Media Theory & Practice, Mary Flanagan, Winter 2012
ENGL 17, Introduction to New Media, Aden Evens, Winter 2012
THEA 10.1, Human Rights and Performance, Laura Edmondson, Spring 2014
COLT 73.4, Violence, Ayo Coly, Winter 2015
Exhibition History
Alfredo Jaar, The Eyes of Gutete Emerita, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 8-September 3, 2006.
Forensics: The Anatomy of a Crime, The Wellcome Trust, London, February 26-June 21, 2015.
Publication History
Katherine W. Hart, Alfredo Jaar, The Eyes of Gutete Emerita [brochure], Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2006, ill. cover.
Katherine W. Hart, Alfredo Jaar: The Work about Rwanda's Genocide Enters the Hood, Hood Museum of Art Quarterly, No. 16, Summer 2006, Hanover: Trustees of Dartmouth College, p. 10.
Annual Report 2005-6, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, Hanover: Trustees of Dartmouth College, 2006, ill. p.26.
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.151, no.123.
De Dood Leeft, Amsterdam: KIT Publishers and Tropenmuseum, 2011, pp. 96-97.
John R. Stomberg, The Hood Now: Art and Inquiry at Dartmouth, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019, p. 192, ill. plate no. 123.
Provenance
The artist; Galerie Lelong, New York, New York; sold to present collection, 2006.
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