The Eyes of Gutete Emerita

Alfredo Jaar, Chilean, born 1956

Share

See Previous Article See next Article

1996

Digital video

5/6

Hood Museum of Art, Dartmouth: Purchased through the William S. Rubin Fund, the Contemporary Art Fund, the Guernsey Center Moore 1904 Memorial Fund, and the Anonymous Fund #144

© Alfredo Jaar

2006.17

Geography

Place Made: Chile, South America

Period

20th century

Object Name

Time Based Media

Research Area

Time Based Media

Not on view

Course History

FILM 48, SART 17, New Media Theory & Practice, Mary Flanagan, Winter 2012

ENGL 17, Introduction to New Media, Aden Evens, Winter 2012

THEA 10.1, Human Rights and Performance, Laura Edmondson, Spring 2014

COLT 73.4, Violence, Ayo Coly, Winter 2015

Exhibition History

Alfredo Jaar, The Eyes of Gutete Emerita, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 8-September 3, 2006.

Forensics: The Anatomy of a Crime, The Wellcome Trust, London, February 26-June 21, 2015.

Publication History

Katherine W. Hart, Alfredo Jaar, The Eyes of Gutete Emerita [brochure], Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2006, ill. cover.

Katherine W. Hart, Alfredo Jaar: The Work about Rwanda's Genocide Enters the Hood, Hood Museum of Art Quarterly, No. 16, Summer 2006, Hanover: Trustees of Dartmouth College, p. 10.

Annual Report 2005-6, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, Hanover: Trustees of Dartmouth College, 2006, ill. p.26.

Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.151, no.123.

De Dood Leeft, Amsterdam: KIT Publishers and Tropenmuseum, 2011, pp. 96-97.

John R. Stomberg, The Hood Now: Art and Inquiry at Dartmouth, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019, p. 192, ill. plate no. 123.

Provenance

The artist; Galerie Lelong, New York, New York; sold to present collection, 2006.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu