FILM 48, SART 17, New Media Theory & Practice, Mary Flanagan, Winter 2012
ENGL 17, Introduction to New Media, Aden Evens, Winter 2012
THEA 10.1, Human Rights and Performance, Laura Edmondson, Spring 2014
COLT 73.4, Violence, Ayo Coly, Winter 2015
SPAN 65.15, Cameras and Crisis, Martina Broner, Spring 2022
ANTH 50.21/AAAS 88.17, Filmmaking & Visual Culture, Jesse Shipley, Summer 2022
FILM 47.20, Curating and Microcinema: Make Your Own Culture, Jodie Mack, Summer 2022
Alfredo Jaar, The Eyes of Gutete Emerita, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July 8-September 3, 2006.
Forensics: The Anatomy of a Crime, The Wellcome Trust, London, February 26-June 21, 2015.
Katherine W. Hart, Alfredo Jaar, The Eyes of Gutete Emerita [brochure], Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2006, ill. cover.
Katherine W. Hart, Alfredo Jaar: The Work about Rwanda's Genocide Enters the Hood, Hood Museum of Art Quarterly, No. 16, Summer 2006, Hanover: Trustees of Dartmouth College, p. 10.
Annual Report 2005-6, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, Hanover: Trustees of Dartmouth College, 2006, ill. p.26.
Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009 p.151, no.123.
De Dood Leeft, Amsterdam: KIT Publishers and Tropenmuseum, 2011, pp. 96-97.
John R. Stomberg, The Hood Now: Art and Inquiry at Dartmouth, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019, p. 192, ill. plate no. 123.
The artist; Galerie Lelong, New York, New York; sold to present collection, 2006.
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