AAAS 11, Introduction to African Studies, Naaborko Sackeyfio, Spring 2013
ARTH 16.2, Picasso: The Vollard Suite, Michael R.Taylor, Fall 2013
COLT 73.4, Violence, Ayo Coly, Winter 2015
THEA 23, AAAS 54, Topics in African Theater and Performance, Laura Edmondson, Winter 2015
Black Womanhood: Images, Icons, and Ideologies of the African Body, Friends Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.
Evolving Perspectives: Highlights from the African Art Collection at the Hood Museum of Art, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2013-April 6, 2014.
Gender and the Complementarity of Opposites in Tanzanian Sculpture, Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July - August 28, 2006.
The Art of Weapons: Selections from the African Collection, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 26, 2014 -March 13, 2016.
Neumeister's Moderne, African Art from the Bareiss Collection, p. 176, lot no. 173, Neumeister Kunstauktionshaus, Munich, Germany, November 10, 2005.
Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, p. 113, plate 18.
Iris and B. Gerald Cantor, Cantor Arts Center Journal Volume 6, Stanford University, 2008-2009, p.70, ill.7
Ugochukwu C. Nzewi, The Art of Weapons, Hanover, New Hampshire: Trustees of Dartmouth College, 2014, checklist no. 70
Walter Bareiss Family Collection; Neumeister Moderne, African Art from the Bareiss Collection (lot 173), Neumeister Kunstauktionshaus, Munich, Germany; sold to present collection, November 10, 2005.
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