Medicine Container
Unidentified Zaramo maker
late 19th-early 20th century
Gourd, wood, seeds, glass beads, fiber, copper wire, and unknown organic materials
Overall: 7 11/16 × 2 3/4 × 2 3/8 in. (19.5 × 7 × 6 cm)
Hood Museum of Art, Dartmouth: Purchased through the Alvin and Mary Bert Gutman 1940 Acquisition Fund
2005.70.2
Geography
Place Made: Tanzania, Eastern Africa, Africa
Period
19th century
Object Name
Personal Gear
Research Area
Africa
Not on view
Course History
AAAS 11, Introduction to African Studies, Naaborko Sackeyfio, Spring 2013
ARTH 16.2, Picasso: The Vollard Suite, Michael R.Taylor, Fall 2013
COLT 73.4, Violence, Ayo Coly, Winter 2015
THEA 23, AAAS 54, Topics in African Theater and Performance, Laura Edmondson, Winter 2015
Exhibition History
Black Womanhood: Images, Icons, and Ideologies of the African Body, Friends Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 1-August 10, 2008; Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts, September 10-December 10, 2008; San Diego Museum of Art, San Diego, California, January 21-April 26, 2009.
Evolving Perspectives: Highlights from the African Art Collection at the Hood Museum of Art, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2013-April 6, 2014.
Gender and the Complementarity of Opposites in Tanzanian Sculpture, Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, July - August 28, 2006.
The Art of Weapons: Selections from the African Collection, Alvin P. Gutman Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 26, 2014 -March 13, 2016.
Publication History
Neumeister's Moderne, African Art from the Bareiss Collection, p. 176, lot no. 173, Neumeister Kunstauktionshaus, Munich, Germany, November 10, 2005.
Barbara Thompson, Black Womanhood: Images, Icons, and Ideologies of the African Body, Seattle: University of Washington Press [Hanover: Trustees of Dartmouth College], 2008, p. 113, plate 18.
Iris and B. Gerald Cantor, Cantor Arts Center Journal Volume 6, Stanford University, 2008-2009, p.70, ill.7
Ugochukwu C. Nzewi, The Art of Weapons, Hanover, New Hampshire: Trustees of Dartmouth College, 2014, checklist no. 70
Provenance
Walter Bareiss Family Collection; Neumeister Moderne, African Art from the Bareiss Collection (lot 173), Neumeister Kunstauktionshaus, Munich, Germany; sold to present collection, November 10, 2005.
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