Trademarks

Vito Acconci, American, 1940 - 2017

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negative 1970; print 2004

Black and white photo-montage; four individual panels

1/3

Image: 21 7/16 × 21 13/16 in. (54.5 × 55.4 cm)

Frame: 22 5/16 × 22 5/8 in. (56.7 × 57.5 cm)

Image: 51 × 21 13/16 in. (129.5 × 55.4 cm)

Frame: 51 13/16 × 22 5/8 in. (131.6 × 57.5 cm)

Overall: 27 11/16 × 32 13/16 in. (70.4 × 83.4 cm)

Frame: 28 5/8 × 33 3/4 in. (72.7 × 85.7 cm)

Image: 48 5/8 × 21 13/16 in. (123.5 × 55.4 cm)

Frame: 49 1/2 × 22 5/8 in. (125.7 × 57.5 cm)

Hood Museum of Art, Dartmouth: Purchased through the Virginia and Preston T. Kelsey 1958 Fund

© Vito Acconci

2005.16

Geography

Place Made: United States, North America

Period

20th century

Object Name

Photograph

Research Area

Photograph

Not on view

Inscriptions

Printed text, on panel 1, across top: TRADEMARKS - SEPT 10, 1970; across bottom: BITING MYSELF: BITING AS MUCH OF / MY BODY AS MY MOUTH CAN REACH. Printed text, on panel 4, across lower third of image: MAKING BITE-PRINTS, LIKE FINGER- / PRINTS & STAMPING THE WORLD / AROUND ME.

Course History

FILM 48, SART 17, The Map, Mary Flanagan, Summer 2012

FREN 7, French Graphic Novels, Annabelle Cone, Spring 2013

ENVS 80, Writing Our Way Home: The Writing That Sustains Us, Terry Tempest Williams, Spring 2013

FILM 48, SART 17, The Map, Mary Flanagan, Summer 2013

WRIT 5, Poor Taste, William Boyer, Winter 2014

WRIT 5, On Poor Taste, William Boyer, Winter 2015

ENGL 7.47, Tales of the Avant-Garde, Andrew McCann, Winter 2019

ENGL 7.47, Tales of the Avant Garde, Andrew McCann, Winter 2020

ENGL 7.47, Tales of the Avant-Garde, Andrew McCann, Winter 2022

Exhibition History

Realm of the Senses, James Cohan Gallery, New York, New York, checklist number 14, December 11, 2004-January 22, 2005.

Word and Image in Contemporary Art, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 26-August 4, 2013.

Publication History

Brian P. Kennedy and Emily Shubert Burke, Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2009, p.144, no.117.

Provenance

James Cohan Gallery, New York, New York; sold to present collection, 2005.

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