Hood Quarterly, spring 2003
Five papers presented at a symposium held at the Hood Museum of Art in November 2000 form the core of the latest double issue of the journal Word & Image (January–June 2003).The papers explore the topic “Likeness in an Age of Mechanical Reproduction: Printed and Medallic Portraits in Renaissance and Baroque Europe.”
Co-organized by Adrian W. B. Randolph, Associate Professor of Art History at Dartmouth College, and T. Barton Thurber, Curator of European Art at the Hood Museum of Art, the symposium accompanied the fall 2000 exhibition The Power of Appearances: Renaissance and Reformation Portrait Prints and Medals.