Exhibitions Archive
Gifts of Works on Paper from Harrington Sarah-Ann and Werner Kramarsky
The Mark of Minimalism
To complement Marks of Distinction, this exhibition follows the influence of minimalism over the past three decades. The Mark of Minimalism examines the lasting legacy of minimalist forms and visual strategies on the abstract work of some recent and contemporary artists, who, rather than completely denying process, often embrace the artist's mark and its expressive qualities. All of the works that will be on display were gifted to the Hood Museum of Art by Sarah-Ann and Werner H. Kramarsky, parents of Ann Kramarsky 92.
Fragmentation of the Female Form
Body (A)PartThe Impact of Ledger Drawing on Native American Art
Picturing Change
This exhibition reveals the impact of ledger drawings on transformations in Native American pictorial arts from the mid-nineteenth century to the present. The works in this exhibition illustrate how Native American artists adopted and adapted Western materials, methods, and conventions to their own artistic traditions, thereby inventing new art forms that comment upon and document cultural transitions brought on by Western education and cultural domination.
Say Word.
Selections from the Permanent Collection
Reality and its AlternativesTeaching with the Hood's Collections
Critical Faculties
The Hood begins the year with Critical Faculties: Teaching with the Hood's Collections. This unique exhibition has been organized by faculty members of four of the museum's main academic constituents at the college. Art History, Studio Art, Classics, and Anthropology have installed objects from the Hood's collections that represent each discipline's approach to teaching with art, offering visitors the opportunity to experience works of art that represent a wide range of media and periods through various perspectives.