Exhibitions Archive
Introduction to the History of Art II, 1500 to Present
Regional Selections 30
The Hood celebrates thirty years of regional art exhibitions at Dartmouth College with Regional Selections 30, the happy result of a year of strong collaboration among twelve arts organizations in New Hampshire and Vermont. Recent works by area artists Ria Blaas, Bob Boemig, Peter Paedra Bramhall, Chris Calnan, Amparo Carvajal-Hufschmid, James McGarrell, Jerry MacMichael, The Main Street Museum, MANUAL, Petria Mitchell, Andy Moerlein, Lawrence Nowlan, Rebecca Purdum, Gary Haven Smith, and George Tooker were chosen by museum and nonprofit gallery directors across the region. A fully illustrated catalogue accompanies the exhibition.
Seen and Seen Again
Ferenc Berko
Ferenc Berko drew attention to the beauty that lies in the overlooked details of the everyday visual world. By isolating patterns, shadows, forms, and colors, Berko's images invite viewers to look inquisitively at commonplace materials and experiences. Ferenc Berko: Seen and Seen Again speaks to the breadth, and depth, of the artist's modern sense of vision. Through roughly three dozen black-and-white and color images ranging from 1932 to 1987, the show represents a dialogue over time and within a specific medium, but also between generations. It is curated by Berko's granddaughter, Mirte Mallory, Class of 2002, who shows how Berko maintained and revisited certain themes throughout his long career.
The Decade of Modernism: Selections from 1910–1919
Excerpts: Photographs by Fazal Sheikh
A Sense of Common Ground
Fazal Sheikh uses portrait photography to raise public awareness about the long-term effects of war on women, children, and the elderly. This exhibition focuses on the plight of east African refugees. Sheikh accompanies his emotionally complex portraits with individualized narratives that confront the viewer with the dignity and grace that has guided these victims through war, displacement, and exile.
The Hampton Project
Carrie Mae Weems
Featuring large-scale photographs printed in ink on muslin and canvas, this exhibition highlights the work of internationally renowned visual artist and contemporary photographer Carrie Mae Weems, along with a rich selection of photographs from Frances Benjamin Johnston's historic Hampton Album of 1900. The work of these two women, although distanced by time and race, is linked by their shared discipline and focus on the history and legacy of the Hampton Normal and Agricultural Institute (now Hampton University), founded with the mission to educate African Americans and, later, Native Americans.