Exhibitions Archive
Psychedelic Rock Posters of Haight-Asbury
High Society
The largest survey of psychedelic rock posters in more than twenty years, this exhibition presents selections from the extensive collection of Paul Prince and includes important examples by each of the "Big Five" artists of psychedelic poster design: Wes Wilson, Rick Griffin, Victor Moscoso, Stanley Mouse, and Alton Kelley. These works, intended to serve as ephemeral street advertisements, present a unique opportunity to observe the evolution of a psychedelic art form during a turning point in American consciousness.
Witness
James Nachtwey
The Hood Museum of Art presents this exhibition of approximately twenty photographs by world-renowned photojournalist James Nachtwey, who will be on campus as a Montgomery Fellow during the spring term in conjunction with the thirteenth annual Humanities Institute, sponsored by the Andrew W. Mellon Foundation and the National Endowment for the Humanities. The institute, entitled The Near in Blood, the Nearer Bloody: Interethnic Civil War / Cultural Genocide / Cultural Resistance, will take place from March 25 through May 31 at Dartmouth College. Nachtwey, a Dartmouth graduate, is a member of the institute. His photographs document the aftermath of the Rwandan genocide, famine in the Sudan, and the recent conflict in the Balkans, Chechnya, and Afghanistan.
Core Samples
Mel Kendrick
Ten recent sculptures by New York artist Mel Kendrick will make their public debut at the Hood Museum of Art this winter. Kendrick's work reveals his longstanding preoccupation with process as well as his unerring sense of sculptural form. With systematic logic and a keen sense of his materials, Kendrick has created this new series he calls "core samples"—wood sculptures that respond to the form, exterior textures, and growth patterns of the trees from which they originate. With this body of work, Kendrick comes closer to a dialogue with the original form of the medium in which he works than at any other point in his thirty-year career as an artist.
Smithsonian African American Photography: Art and Activism
Reflections in Black
This exhibition explores the rich legacy of African American photographers who captured the struggles, achievements, and tragedies of a tumultuous time: the civil rights and black power movements of the late 1950s and early 1960s. Assuming the role of social activist, these photographers documented leading figures such as Malcolm X, Martin Luther King Jr., and Muhammad Ali, as well as innovators in the music world such as Billie Holiday, Lester Young, and John Coltrane. A continuing desire to raise social consciousness motivates contemporary photographers to chronicle the realities of life for African Americans today. Photographs of the 1980s and 1990s, many the results of the artists' personal engagement with their own communities, form the second major focus of the exhibition.
Untitled (Jean Dubuffet and Cornelia Parker)
The Power of Place
Reservation X
Reservation X investigates the complex relationship between community and identity through seven large-scale art installations that make innovative use of photography, film, audio recordings, CD-ROM, sculpture, and painting. The featured artists are Mary Longman (Saulteaux), Nora Naranjo-Morse (Tewa), Marianne Nicolson (Kwakwaka'wakw), Shelley Niro (Mohawk), Jolene Rickard (Tuscarora), Mateo Romero (Tewa), and C. Maxx Stevens (Seminole). Through their individual creations, these artists generate a collective commentary on the power of place and the realities of everyday life for religious and racial minorities. Although their ideas of and experiences with community reflect very different perspectives, all of these artists recognize their affinities with a Native American identity and rely upon the power of art to express them.