Putto
Niccolò Roccatagliata, Italian, 1593 - 1636
about 1600
Bronze
Overall: 9 1/2 in. (24.1 cm)
Hood Museum of Art, Dartmouth: Gift of Evelyn A. and William B. Jaffe, Class of 1964H
S.962.161
Geography
Place Made: Italy, Europe
Period
1600-1800
Object Name
Sculpture
Research Area
Sculpture
On view
Inscriptions
Not signed.
Course History
History 42.01, Women's Gender, and Sexuality Studies 22.01, Gender & European Society, Patrick Meehan, Spring 2024
History 96.39, Saints and Relics, Cecilia Gaposchkin, Spring 2024
Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024
Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024
Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024
Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024
Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024
Exhibition History
A Collector's Choice, William B. Jaffe Memorial Exhibition, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, December 8, 1972-January 7, 1973.
Carpenter Galleries, Dartmouth College, Hanover, New Hampshire, 1977.
Curator's Choice: Dartmouth College Permanent Collection, Jaffe-Friede, Strauss and Barrows Galleries, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, October 29, 1976-January 19, 1977.
Director's Choice, Jaffe-Friede Gallery, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, June 10-July 10, 1966.
Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 4, 1990-November 16, 1992.
Living with Sculpture: Presence and Power in Europe, 1400–1750, Citrin Family Gallery and Engles Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 23, 2024–March 22, 2025.
Provenance
Evelyn Annenberg Friede Jaffe Hall (1911-2005) and William B. Jaffe (1904-1972), New York; given to present collection, 1962.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu