The Flagellation, from The Large Passion

Albrecht Dürer, German, 1471 - 1528

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about 1496-1497

Woodcut on laid paper

Pre-publication proof

Sheet: 15 11/16 x 11 3/4 in. (39.8 x 29.8 cm)

Hood Museum of Art, Dartmouth College: Gift of Jean K. Weil in memory of Adolph Weil Jr., Class of 1935

PR.997.5.59

Geography/Culture

Europe, Germany

Period

1400-1600

Object Name

Print

Classification

Print

Not on view

Inscription

Inscribed, in block, lower center: AD [monogram]; stamped, in black ink, lower center: PS; stamped, in black ink, on verso: Ex impressionibus et formis / Petri Stramenti idem et / PIERRE STROOBANTS / Inventaire No. Watermark: Large Imperial Orb (Meaume 53)

Exhibition History

Envisioning Jerusalem: Prints from Durer to Rembrandt, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 9-June 19, 2011.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 26, 2003-February 15, 2004.

A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 17-December 20, 1998.

Durer, Rembrandt & Beyond: From the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery Museum of Fine Arts, Montgomery, Alabama, July 1-August 28, 1994, no. 43.

Publication History

Timothy Rub, Egbert Haverkamp-Begemann, Kelly Pask, "A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1998, listed, p.92, no. 89.

Stacey Sell, Durer, Rembrandt & Beyond: From the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery, Alabama: Montgomery Museum of Fine Arts, 1994, p. 50, no. 43.

Provenance

Pierre Stroobants; Norton Simon, Pasadena, California; Robert M. Light, Santa Barbara, California; sold to Jean K. and Adolph Weil, Jr., Montgomery, Alabama, on May 17, 1980; given to present collection, 1997.

Catalogue Raisonne

Bartsch 8; Hollstein 117

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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