Landscape with Three Gabled Cottages Beside a Road

Rembrandt van Rijn, Dutch, 1606 - 1669

Share

1650; print after 1652

Etching and drypoint on laid paper

Overall: 6 3/8 × 8 3/16 in. (16.2 × 20.8 cm)

Hood Museum of Art, Dartmouth: Gift of Jean K. Weil in memory of Adolph Weil Jr., Class of 1935

PR.997.5.100

Geography

Place Made: Netherlands, Europe

Period

1600-1800

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Inscribed, in plate, lower left: Rembrandt f 1650; stamped, on verso: collection marks of G. Rath (Lugt 1206) and N.D. Goldsmid (Lugt 1962) Watermark: Arms of Amsterdam (Churchill 5)

Course History

ARTH 46, Northern Baroque Art, Joy Kenseth, Spring 2015

ARTH 2, Introduction to the History of Art II, Joy Kenseth, Mary Coffey, Winter 2016

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ITAL 1.01, Introductory Italian I, Giorgio Alberti, Fall 2022

ITAL 1.02, Introductory Italian I, Andrea Zoller, Fall 2022

ITAL 1.03, Introductory Italian I, Andrea Zoller, Fall 2022

Italian 1.02, Introductory Italian I, Andrea Zoller, Winter 2023

Italian 1.01, Introductory Italian I, Giorgio Alberti, Winter 2023

Italian 11.01, Intensive Italian, Giorgio Alberti, Winter 2023

Art History 7.05, Pompeii: Antique & Modern, Ada Cohen, Winter 2023

Italian 2.01, Introductory Italian II, Andrea Zoller, Winter 2023

Italian 2.02, Introductory Italian II, Matteo Gilebbi, Winter 2023

Exhibition History

A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 17-December 20, 1998.

A Humanist Vision: The Adolph Weil, Jr. Collection of Rembrandt Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 23-March 20, 1988, no. 76.

Durer, Rembrandt & Beyond: From the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery Museum of Fine Arts, Montgomery, Alabama, July 1-August 28, 1994, no. 95.

From Altarpiece to Portrait: Assembling a European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover New Hampshire. 29 January 2020.

Points of View, Art History 2, ARTH 2, Winter 2016, Joy Kenseth and Mary Coffey, Harrington Gallery Teaching Exhibition, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 1-March 13, 2016.

Rembrandt Prints from the Weil Collection, Montgomery Museum of Fine Arts, Montgomery, Alabama, April 10-May 23, 1999.

Rembrandt: Master of Light and Shadow; Etchings from the Collection of the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 8-September 17, 2006.

With a Sincere Hand and a Faithful Eye, Harrington Gallery Teaching Exhibition, Art History 46, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 28-December 17, 2000.

Publication History

LaRosa, Suzanne, ed., "Rembrandt, Beyond the Brush: Master Prints from the Weil Collection", Montgomery, Alabama: The Montgomery Museum of Fine Arts, 112 pp., Checklist no. 76, March 1999.

Timothy Rub, Egbert Haverkamp-Begemann, Kelly Pask, "A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1998, ill. p.19, listed, p.115, no. 242.

Stacey Sell, Durer, Rembrandt & Beyond: From the Collection of Mr. and Mrs. Adolph Weil, Jr., Montgomery, Alabama: Montgomery Museum of Fine Arts, 1994, p. 35, fig. 38; p. 51, no. 95.

Hilliard Goldfarb, A Humanist Vision: The Adolph Weil, Jr. Collection of Rembrandt Prints, Hanover: Hood Museum of Art, Dartmouth College, 1988, pp. 178-179, no. 76, ill.

Provenance

Georg (Gyorgy) Rath, Budapest 1828-1904; sold to Alexander Posonyi, Vienna, January 11, 1869, lot 827; Neville D. Goldsmid 1814-1875; The Hague, sold to Hotel Drouot, Paris, April 25-27, 1876, lot 938; Christie's, London; lot 302; sold to Jean K. and Adolph Weil, Jr., Montgomery, Alabama, on June 24, 1986; given to present collection, 1997.

Catalogue Raisonne

New Hollstein (NHD) 248 iii/iii; Bartsch and Hollstein 217; Hind 246

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu