Marriage A-la-Mode, Plate VI
Louis Gerard Scotin, French, 1690 - after 1755
after William Hogarth, English, 1697 - 1764
1745
Etching and engraving on wove paper
Plate: 15 × 18 1/4 in. (38.1 × 46.4 cm)
Sheet: 17 5/8 × 22 1/4 in. (44.7 × 56.5 cm)
Hood Museum of Art, Dartmouth: Purchased through a gift from the Hermit Hill Charitable Lead Trust
PR.997.21.6
Geography
Place Made: England, United Kingdom, Europe
Period
1600-1800
Object Name
Research Area
Not on view
Inscriptions
Inscribed, in plate, lower right: Engraved by G. Scotin; inscribed, in plate, lower left: Invented Painted & Published by W.m Hogarth; inscribed, in plate, lower center: Marriage A-la-Mode, (Plate VI); inscribed, in plate, lower right: According to Act of Parliament April 1.st 1745
Course History
ANTH 50, COCO 2, HIV/AIDS Through a Biosocial Lens: 30 Years of a Modern Plague, Sienna Craig, Timothy Lahey, Spring 2013
ENGL 20, Age of Satire, Alysia Garrison, Winter 2014
ARTH 48, Rococo to Neoclassicism, Kristin O'Rourke, Fall 2014
COCO 2.3, ANTH 50.6, HIV/AIDS Through a Bio-social Lens: Thirty Years of a Modern Plague, Sienna Craig, Timothy Lahey, Spring 2015
ENGL 22, The Rise of the Novel, Alysia Garrison, Spring 2015
ENGL 22, Rise of the Novel, Alysia Garrison, Spring 2019
Exhibition History
Pictur'd Morals: Prints by William Hogarth, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 16-October 26, 1997.
Teaching the History of Western Art 1500-Present, Harrington Gallery Teaching Exhibition, ArtH2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 27-March 11, 2001.
Publication History
Bernadette Fort and Angela Rosenthal, eds., The Other Hogarth: The Aesthetics of Difference, Princeton, New Jersey and Oxfordshire, England: Princeton University Press, 2001, 320 pp., ill. p. 35, Fig. M6.
Provenance
Andrew Edmunds Prints & Drawings, London, United Kingdom; sold to present collection, 1997.
Catalogue Raisonne
R. Paulson, Hogarth's Graphic Works, London, 1989, no. 163.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu