Marriage A-la-Mode, Plate I

Louis Gerard Scotin, French, 1690 - after 1755
after William Hogarth, English, 1697 - 1764

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1745

Etching and engraving on wove paper

Plate: 15 × 18 3/8 in. (38.1 × 46.6 cm)

Sheet: 17 11/16 × 22 1/4 in. (45 × 56.5 cm)

Hood Museum of Art, Dartmouth: Purchased through a gift from the Hermit Hill Charitable Lead Trust

PR.997.21.1

Geography

Place Made: England, United Kingdom, Europe

Period

1600-1800

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Inscribed, in plate, lower right: Engraved by G. Scotin; inscribed, in plate, lower left: Invented Painted & Published by W.m Hogarth; inscribed, in plate, lower center: Marriage A-la-Mode, (Plate 1); inscribed, in plate, lower right: According to Act of Parliament April 1st. 1745

Course History

ARTH 2, Introduction to the History of Art II, Joy Kenseth, Marlene Heck, Winter 2012

ENGL 20, Age of Satire, Alysia Garrison, Winter 2014

ARTH 17.2, FILM 50, When Media Were New, Katie Hornstein, Spring 2014

ARTH 48, Rococo to Neoclassicism, Kristin O'Rourke, Fall 2014

ENGL 22, The Rise of the Novel, Alysia Garrison, Spring 2015

ARTH 2, Introduction to the History of Art II, Joy Kenseth, Mary Coffey, Winter 2016

ARTH 48, Art & Society in the Age of the Rococo, Kristin O'Rourke, Winter 2016

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ARTH 16.17, Rembrandt, Joy Kenseth, Spring 2016

ENGL 22, Rise of the Novel, Alysia Garrison, Spring 2019

Exhibition History

Constructing Gender: Works from the Hood Museum of Art's Collection, 1500 to the Present, Harrington Gallery Teaching Exhibition, ARTH 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 28-April 22, 2012.

European Art at Dartmouth: Highlights from the Hood Museum of Art, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 30, 2008-March 8, 2009.

Pictur'd Morals: Prints by William Hogarth, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 16-October 26, 1997.

Points of View, Art History 2, ARTH 2, Winter 2016, Joy Kenseth and Mary Coffey, Harrington Gallery Teaching Exhibition, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 1-March 13, 2016.

Reality and its Alternatives, Art History 2, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 4-March 13, 2005.

Representations of the Body in Space from the Renaissance to the Present: Selections from the Permanent Collection, Harrington Gallery Teaching Exhibition, Art History 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 3-March 15, 1998.

Publication History

Bernadette Fort and Angela Rosenthal, eds., The Other Hogarth: The Aesthetics of Difference, Princeton, New Jersey and Oxfordshire, England: Princeton University Press, 2001, 320 pp., ill. p. 30, Fig. M1, ill. p. 111, Fig. 36(detail), ill. p.179, Fig. 76(detail), ill. p. 194, Fig. 79.

T. Barton Thurber, European Art at Dartmouth: Highlights from the Hood Museum of Art, Hanover: Trustees of Dartmouth College, 2008, pp. 166-167, ill. p.167, no. 100.

Provenance

Andrew Edmunds Prints & Drawings, London, United Kingdom; sold to present collection, 1997.

Catalogue Raisonne

R. Paulson, Hogarth's Graphic Works, London, 1989, no. 158.

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