Saturations II, from portfolio The New Provincetown Print Project 1992
Therese Oulton, English, born 1953
1992
Monoprint, etching, woodcut, drypoint, mixed medium, Rives BFK paper
Image: 18 5/16 × 13 15/16 in. (46.5 × 35.4 cm)
Sheet: 30 1/16 × 22 5/16 in. (76.4 × 56.6 cm)
Hood Museum of Art, Dartmouth: Purchased through a gift from the Cremer Foundation in memory of J. Theodor Cremer
PR.993.9.1
Publisher
The Fine Arts Work Center, Provincetown, Massachusetts
Geography
Place Made: England, United Kingdom, Europe
Period
20th century
Object Name
Research Area
Not on view
Inscriptions
Signed, in graphite, lower left, on reverse: Therese Oulton '92 / THERESE OULTON; inscribed, in graphite, lower right, on reverse: SATURATIONS II; inscribed, in graphite, lower left, on reverse, above signatures: NPPP92 [underlined] / TO V; inscribed, in graphite, lower left mount paper, on reverse: NPPP-92 [underlined] / TO V Watermark, in image, lower right: B F K RIVES / FRANCE oo; Watermark, mount paper, upper right: B F K RIVES / FRANCE oo; Embossed, mount paper, lower left: [Fine Arts Work Center Chop]
Exhibition History
A Decade of Collecting, 1985-1995: Contemporary Prints from the Hood Museum of Art, I. Abstraction, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 16, 1995-January 28, 1996, no. 24.
Critical Faculties: Teaching with the Hood's Collections, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 15-March 13, 2005.
Publication History
Timothy Rub, A Decade of Collecting: 1985-1995 / Contemporary Prints Hood Museum of Art, Dartmouth College, Hanover, New Hampshire: Trustees of Dartmouth College, 1995, no. 24.
Provenance
The New Provincetown Print Project, Cambridge, Massachusetts; sold to present collection, 1993.
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