Tomb of Alexander VIII
Giovanni Battista Sintes, Italian, 1680 - 1760
1715
Engraving on wove paper
Plate: 11 1/4 × 7 11/16 in. (28.6 × 19.5 cm)
Sheet: 20 3/16 × 15 in. (51.2 × 38.1 cm)
Hood Museum of Art, Dartmouth: Gift of Robert Dance, Class of 1977
PR.993.42.40
Portfolio / Series Title
Numismata summorum pontificum Templi Vaticani fabricam indicantia
Geography
Place Made: Italy, Europe
Period
1600-1800
Object Name
Research Area
Not on view
Inscriptions
Signed, in plate, lower right: Jo. Bapt. Sintes Sculp.; inscribed, in plate, lower left: Comes. Carolus Henricus Martinus Inventor.; inscribed, in plate, lower center: Nicolaus Riciolinus del.; inscribed, in plate, upper left: TA BVLA 37; inscribed, in plate, in image, below center: ALEXANDER VIII OF [illeg.]/VENETVS/PONTIFEX MAXIMUS; inscribed, in graphite, lower right: 1689-91.
Label
Ancient sculpture was widely admired in the 16th century for its elegance of carving and complexity of form. Many artists traveled to Rome to draw and study ancient sculptures, which were avidly collected by the nobility and clergy of the period. The statue of Laocoön, the Trojan priest, and his sons as they are attacked by snakes quickly became one of the most famous ancient sculptures after its excavation in Rome in 1506. It was displayed in the Vatican, where it remains today. Admired for its twisting composition, the statue served as inspiration to artists seeking to study the past. Prints of such sculptures not only heightened the fame of these ancient carvings but also made them accessible to wider audiences.
From the 2024 exhibition Living with Sculpture: Presence and Power in Europe, 1400–1750, curated by Elizabeth Rice Mattison, Andrew W. Mellon Curator of Academic Programming and Curator of European Art, and Ashley B. Offill, Curator of Collections
Course History
History 42.01, Women's Gender, and Sexuality Studies 22.01, Gender & European Society, Patrick Meehan, Spring 2024
History 96.39, Saints and Relics, Cecilia Gaposchkin, Spring 2024
Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024
Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024
Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024
Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024
Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024
Exhibition History
Living with Sculpture: Presence and Power in Europe, 1400–1750, Citrin Family Gallery and Engles Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, March 23, 2024–March 22, 2025.
Provenance
Robert Dance, New York, New York; given to present collection, 1993.
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