L'Attaque de la diligence (The Attack on the Coach), Plate 8 from the series Les Grandes Misères et malheurs de la guerre (The Great Miseries and Misfortunes of War)
Jacques Callot, French, 1592 - 1635
Etching on laid paper
Plate: 3 1/4 × 7 5/16 in. (8.2 × 18.5 cm)
Sheet: 4 1/8 × 8 1/4 in. (10.5 × 20.9 cm)
Hood Museum of Art, Dartmouth: Gift of Adolph Weil Jr., Class of 1935
Israël Henriet, Paris
Place Made: France, Europe
Not on view
Inscribed, in plate, lower left: Israel ex. cum Priuil. Reg.; inscribed, in graphite, lower right: 8; inscribed, in graphite, on support, lower right: 1346 I/IV
A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 17-December 20, 1998.
Fatal Consequences: Callot, Goya, and the Horrors of War, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 9-December 12, 1990.
Piranesi-Goya; Roma fantastica and the Sleep of Reason and Francisco Goya and Jake & Dinos Chapman: Disasters of War, The Montreal Museum of Fine Arts, Montreal, Quebec, Canada, September 27, 2001-March 17, 2002.
The Four Faces of War: Callot, Goya, Kollwitz and Bellows, The William Benton Museum of Art, University of Connecticut, Storrs, Connecticut, October 23-December 22, 2004.
Timothy Rub, Egbert Haverkamp-Begemann, Kelly Pask, "A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1998, listed, p.84, no. 42.
Goldfarb, Hilliard T., Wolf, Reva. "Fatal Consequences: Callot, Goya, and the Horrors of War." Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, page 84.
Kennedy Galleries, Inc., New York, 1975; Christie's, New York, November 2, 1983, lot 18 (bought in); sold to Adolph Weil, Jr., Montgomery, Alabama, privately after the sale; given to present collection, 1991.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu