Inscribed, in plate, within image lower right: Callot fecit Israel excudit.; inscribed, in plate, lower left margin: Cet exemple d'un Chef plein de reconnoisance, / Qui punit les méchans et les bons recompance.; inscribed, in plate, lower center margin: Doit picuer les soldats d'un aiguillon d'honneur, / Puis que la vertu, depend tout leur bonheur,; inscribed, in graphite, lower right margin: Et qu'ordinairement ils reçoiuent du Vice, / La honte, le mespris, et le dernier supplice. 18; inscribed, in graphite, on support, lower right: 1356 III/IV;
Watermark, lower center: [cut off] [shield crowned with a fleur-de-lys]
The Four Faces of War: Callot, Goya, Kollwitz and Bellows, The William Benton Museum of Art, University of Connecticut, Storrs, Connecticut, October 23-December 22, 2004.
Piranesi-Goya; Roma fantastica and the Sleep of Reason and Francisco Goya and Jake & Dinos Chapman: Disasters of War, The Montreal Museum of Fine Arts, Montreal, Quebec, Canada, September 27, 2001-March 17, 2002.
Fatal Consequences: Callot, Goya, and the Horrors of War, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 9-December 12, 1990.
A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 17-December 20, 1998.
Timothy Rub, Egbert Haverkamp-Begemann, Kelly Pask, "A Gift to the College: The Mr. and Mrs. Adolph Weil Jr. Collection of Master Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1998, listed, p.85, no. 52.
Goldfarb, Hilliard T., Wolf, Reva. "Fatal Consequences: Callot, Goya, and the Horrors of War." Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, page 35 (illustration) and page 85.
Kennedy Galleries, Inc., New York, 1975; Christie's, New York, November 2, 1983, lot 18 (bought in); sold to Adolph Weil, Jr., Montgomery, Alabama, privately after the sale; given to present collection, 1991.
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.
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