The Sleep of Reason Produces Monsters (El Sueno de la Razon Produce Monstruos), plate 43; from the series The Caprices (Los Caprichos)

Francisco Jose de Goya y Lucientes, Spanish, 1746 - 1828

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1797; published 1799

Etching and aquatint on ivory laid paper

First edition, published in 1799

Overall: 8 1/2 × 6 in. (21.6 × 15.2 cm)

Hood Museum of Art, Dartmouth College: Purchased through a gift from Dorothy and Jerome R. Goldstein, Class of 1954

PR.986.26

Geography/Culture

Europe, Spain

Period

1600-1800

Object Name

Print

Classification

Print

Not on view

Course History

ANTH 7.05, Animals and Humans, Laura Ogden, Winter 2020

COLT 7.13, “You Must Be Dreaming”: Dreams in Literature and Film, Paul Carranza, Spring 2015

ARTH 50, Romanticism, Kristin O‘Rourke, Spring 2015

ARTH 50, Romanticism, Kristin O‘Rourke, Spring 2015

SART 27, 28, 74, Printmaking I-Intaglio, II, III, Ariel Frieberg, Spring 2015

SPAN 31, Introduction to Hispanic Studies II: 18th and 19th Centuries, Txetxu Aguado, Winter 2014

SPAN 31, Introduction to Hispanic Studies II: 18th and 19th Centuries, Jose del Pino, Winter 2014

ARTH 49, European Art in the Age of Revolution (1750-1850), Katie Hornstein, Fall 2013

FILM 47, From The Fall of the Wall to 9-11: Understanding the New World Disorder, Mark Williams, James Nachtwey, Spring 2013

Exhibition History

Virtual Space for Dialogue, 2017, Self (Hood), Alison Guh, Class of 2017, Mellon Special Prjects Intern, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire. https://www.aguh.vsfd.hoodmuseum.dartmouth.edu/

The Art of Spectatoriship: A History of Viewing from the Renaissance to the Present Day, Harrington Gallery Teaching Exhibition, Art History 2, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 19-April 6, 2008.

Reality and its Alternatives, Art History 2, Harrington Gallery Teaching Exhibition, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 4-March 13, 2005.

Old Master Prints from the Dartmouth Collection, Friends and Cheatham Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 23-April 10, 1988.

Harrington Gallery Teaching Exhibition, Art 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 23-February 12, 1990.

An Introduction of the History of Art from the Fifteenth Century to the Twentieth Century, Harrington Gallery Teaching Exhibition, Art 2, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, February 12-March 15, 1992.

Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 9, 1994-April 11, 1995.

A Space for Dialogue 87, The Tortured Soul: Exploring the Excesses of Human Emotion, Laura Dorn, Class of 2015, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 11-May 24, 2015.

A Decade of Collecting, 1985-1995: Old Master and Nineteenth Century European Prints from the Hood Museum of Art, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 9, 1995-February 4, 1996, no. 55.

Publication History

Richard Rand, "A Decade of Collecting, 1985-1995: Old Master and Nineteenth-Century European Prints", Hanover, New Hampshire: Trustees of Dartmouth College, 1995, no. 55.

Barbara J. MacAdam, Marks of Distinction, Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art, Manchester, Vermont: Hudson Hills Press, 2005, pp. 90, ill. p. 92, fig. 60.

Provenance

Denenberg Fine Arts, Inc.; sold to present collection, 1986.

Catalogue Raisonne

Harris 78; Delteil 80; Gassier and Wilson II.536; Pérez Sánchez & Gállego 43

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.

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Subjects

Subjects: