The Doorway, from The First Venice Set
James Abbott McNeill Whistler, American, 1834 - 1903
Etching and drypoint on wove paper
ii/VII, trial proof for "Venice: Twelve Etchings"
Plate: 11 7/16 × 7 15/16 in. (29.1 × 20.2 cm)
Sheet: 11 7/8 × 8 3/8 in. (30.2 × 21.2 cm)
Hood Museum of Art, Dartmouth: Gift of Charlotte Mathey
Place Made: United States, North America
Not on view
Signed, in graphite, lower left margin: butterfly device; signed, in plate, upper left: large butterfly device
COCO 26, What's In Your Toolbox?, Moktar Bouba and Tania Convertini, Fall 2021
Whistler, Venice, and the American Etching Revival (in conjunction with Canaletto's Vedute Prints: An Exhibition in Honor of Adolf Weil, Jr.), Friends and Owen Robertson Cheatham Galleries, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 1-December 6, 2015..
Whistler, Venice, and the American Etching Revival, [American Works of Paper wall], Israel Sack Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 12, 2008-January 4, 2010.
E. Kennedy, The Etched Work of Whistler, New York, 1910, no. 188. H. Mansfield, A Descriptive Catalogue of the Etchings and Dry-Points of James Abbott McNeill Whistler, Chicago, 1909, no. 185.
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