In the Garden, from the American Portfolio

Romare Howard Bearden, American, 1911 - 1988

Share

1980

Lithograph on paper

113/150

Sheet: 28 11/16 × 21 1/8 in. (72.9 × 53.7 cm)

Hood Museum of Art, Dartmouth: Gift of Ernesto Ostheimer

Art © Romare Bearden Foundation / Licensed by VAGA, New York, NY

PR.980.287.1

Printer

Joseph Kleinenman Fine Arts Printing, New York

Publisher

London Arts Group, Detroit

Geography

Place Made: United States, North America

Period

20th century

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Numbered, in graphite, lower right: 113/150; signed, in graphite, lower left: Romare Bearden

Label

In the Garden mimics the collage style for which Romare Bearden is famous, merging the images of Eve in the garden of Eden and the “conjur woman.” Bringing these two figures together, Bearden marries the concept of the fallible human with a respected healer equipped with extensive herbal knowledge and spiritual insight. In this garden, the woman is not punished, but instead possesses agency over her own sustenance.

From the 2022 exhibition This Land: American Engagement with the Natural World, curated by Jami C. Powell, Curator of Indigenous Art; Barbara J. MacAdam, former Jonathan L. Cohen Curator of American Art; Thomas H. Price, former Curatorial Assistant; Morgan E. Freeman, former DAMLI Native American Art Fellow; and Michael Hartman, Jonathan Little Cohen Associate Curator of American Art

Course History

SART 31/SART 72, Painting II/III, Jennifer Caine, Winter 2020

AAAS 88.19, Contemporary African-American Artists, Michael Chaney, Summer 2021

ANTH 7.05, Animals and Humans, Laura Ogden, Winter 2022

GEOG 31.01, Postcolonial Geographies, Erin Collins, Winter 2022

ANTH 50.05, Environmental Archaeology, Madeleine McLeester, Winter 2022

ANTH 50.05, Environmental Archaeology, Madeleine McLeester, Winter 2022

ARTH 5.01, Introduction to Contemporary Art, Mary Coffey and Chad Elias, Winter 2022

ANTH 3.01, Introduction to Cultural Anthropology, Chelsey Kivland, Summer 2022

ANTH 3.01, Introduction to Cultural Anthropology, Chelsey Kivland, Summer 2022

SPAN 65.15, Wonderstruck: Archives and the Production of Knowledge in an Unequal World, Silvia Spitta and Barbara Goebel, Summer 2022

Exhibition History

This Land: American Engagement with the Natural World, Rush Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 12 - July 22, 2022.

Provenance

London Arts Group, Inc., Detroit, Michigan; sold to Ernesto Ostheimer, Southfield, Michigian; given to present collection, 1980.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu