Inscribed, in plate, lower left: Prendergast 1902
SART 27, 28, Printmaking I and II, Sarah Amos, Spring 2019
The Voice of the Print, Visual Studies Department Installation, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 4, 1989-January 1, 1990.
The Prendergasts: Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, September 24-November 6, 1938, no. 115.
The Monotypes of Maurice Prendergast: A Loan Exhibition, Davis & Long Company, New York, New York, April 4-28, 1979, no. 103.
Monotypes in Color by Maurice Prendergast, C.W. Kraushaar Art Galleries, New York, December 8-31, 1936, no. 2.
Maurice Prendergast: The Monotypes, William Cooper Procter Art Center, Bard College, Annandale-on-Hudson, New York, May 1-27, 1967, no. 58.
Learning about Prints, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 17-December 11, 1988.
Matthew Phillips, Maurice Prendergast: The Monotypes, Annandale-on-Hudson: Bard College, 1967, no. 58, ill.
Cecily Langdale, The Monotypes of Maurice Prendergast, New York: Davis & Long Company, 1979, pp. 9, 11, 32, 139, no. 103, ill.
Cecily Langdale, Monotypes by Charles Prendergast in the Terra Museum of American Art, Chicago: Terra Museum of American Art, 1984, pp. 31; 43, n. 51.
Carol Clark, Nancy Mowell Mathews, and Gwendolyn Owens, Maurice Brazil Prendergast, Charles Prendergast: A Catalogue Raisonne, Williamstown: Williams College Museum of Art, and Munich: Prestel, 1990, pp. 632-633, no. 1758, ill.
Addison Gallery of American Art, The Prendergasts: Retrospective Exhibition of the Work of Maurice and Charles Prendergast, Andover, Massachusetts: Phillips Academy, 1938, p. 26, no. 115.
The artist; to Charles Prendergast, 1924; to C.W. Kraushaar, New York; to private collection, 1937; to anonymous collection; given to present collection, 1979.
Clark, Mathews & Owens, no. 1758
This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete.
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