Circus Ball Rider

Yasuo Kuniyoshi, Japanese (worked in the United States, 1889 - 1953

Share

1930

Lithograph on wove paper

Edition of 100

Overall: 15 × 11 in. (38.1 × 27.9 cm)

Hood Museum of Art, Dartmouth: Gift of Ada and William Preston Harrison

PR.940.30

Geography

Place Made: Japan, East Asia, Asia

Period

20th century

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Signed and dated, in graphite, lower right: Yasua Kuniyoshi 30; inscribed, in graphite, lower left: 100 proof

Course History

ASCL 7.03,Asian-American Art and Architecture, Sujin Eom, Winter 2023

Asian Society, Culture, & Language 7.03, Asian-American Art and Architecture, Sujin Eom, Winter 2023

Asian Societies, Cultures, and Languages 70.24, Asian American Art and Architecture, Sujin Eom, Spring 2024

Exhibition History

Images from the World Between: The Circus in Twentieth Century American Art, The American Federation of Arts, Wadsworth Atheneum, Hartford, Connecticut, October 19, 2001-January 6, 2002; John and Mable Ringling Museum of Art, Sarasota, Florida, February 1-April 14, 2002; Austin Museum of Art, Austin, Texas, May 10-August 19, 2002

Under the Big Top: The Fine Art of the Circus in America, Robert Hull Fleming Museum, University of Vermont, Burlington, Vermont, January 25-May 22, 2011.

Publication History

Donna Gustafson, Images from the World Between, Cambridge, Massachusetts and London, England: MIT Press; New York: American Federation of Arts, 2001, 184 pp., ill. p. 135.

Provenance

Ada Sanberg Harrison (1885-1947) and William Preston Harrison (1869-1940), Los Angeles, California; given to present collection, 1940.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu