Community of the Moment

August Robert Birmelin, American, born 1933

Share

1987

Color etching and aquatint on wove paper

A.P. 6/10

Plate: 21 5/8 × 29 7/8 in. (54.9 × 75.9 cm)

Sheet: 27 5/8 × 35 1/4 in. (70.2 × 89.5 cm)

Hood Museum of Art, Dartmouth: Gift of Varujan Boghosian

© A. Robert Birmelin

PR.2000.48.4

Portfolio / Series Title

Number 4 of 5 from Harsh Truths

Publisher

Novak Graphics, Toronto

Geography

Place Made: United States, North America

Period

20th century

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Signed, in graphite, lower right: Robert BiRmelin; numbered, in graphite, lower left: A.P. 6/10; inscribed, in graphite, lower center: Community of the Moment| watermark: (top margin left, center, and right; bottom margin left and right of center) FA FABRIANO| Embossed, lower right: [printer's chop] [publisher's chop]| Stamped, on reverse, lower right corner: (within rectangle) [Ng logo] NOVAK GRAPHICS / 616 ST CLARENS AVE., / TORONTO, ONTARIO / MGH 3W9 530-4533 / [in graphite]E-102

Course History

SART 27, SART 28, Printmaking I: Intaglio, Printmaking II, Louise Hamlin, Winter 2013

SART 27, SART 28, SART 74, Printmaking I, II, III, Louise Hamlin, Spring 2013

SART 27, SART 28, Printmaking I-Intaglio, Printmaking II, Louise Hamlin, Winter 2014

SART 27, SART 28, SART 74, Printmaking I, Printmaking II, Printmaking III, Louise Hamlin, Spring 2014

Exhibition History

A Space for Dialogue 35, Frames of Influence: Behavior and Anonymity in Urban Life, Jessica Hoden, Class of 2007, Levinson Student Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, December 5, 2006-January 28, 2007.

Publication History

Jessica Hoden, A Space for Dialogue 35, Frames of Influence: Behavior and Anonymity in Urban Life, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2006, ill. cover.

Provenance

Varujan Boghosian, Hanover, New Hampshire; given to present collection, 2000.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu