Untitled, number 2 of 13 from Her Story: A book of thirteen original graphics by Elizabeth Murray for thirteen poems by Anne Waldman

Elizabeth Murray, American, 1940 - 2007

Share

1988-1990

Lithograph and etching on paper

49/74

Plate: 5 15/16 × 4 3/16 in. (15.1 × 10.6 cm)

Sheet: 11 1/8 × 17 3/4 in. (28.3 × 45.1 cm)

Hood Museum of Art, Dartmouth: Purchased through the Anonymous Fund #144

PR.2000.28.2

Publisher

Universal Limited Art Editions (ULAE), West Islip, New York

Geography

Place Made: United States, North America

Period

20th century

Object Name

Print

Research Area

Print

Not on view

Inscriptions

Signed, in graphite, lower left: Anne Waldman; Signed and dated, in graphite, lower right: Elizabeth Murray 88-90| Embossed, printers chop, bottom edge, right of center: ULAE[LAE is nested inside U] [publisher's chop]| Watermark, lower left: A Waldman; watermark, lower right: E Murray

Label

Elizabeth Murray’s work has always been about the tension between opposing forces, motion, and change. Even in this intimate format, the tangled lines in her prints at once blur and assert forms we can recognize—chairs, tables, and humans. Everything in these tight spaces is in flux and ambiguous, rooted in reality but not quite defined by it.

In the late 1980s, Murray and poet Anne Waldman collaborated to produce Her Story, a portfolio of thirteen poems and prints. In tandem, each poem and image in the pair informs the other, inviting us to think about our public and private selves, freedom and entrapment, and the challenges of embodying the feminine.

From the 2024 exhibition Immersive Worlds: Real and Imagined, curated by Amelia Kahl, Barbara C. & Harvey P. Hood 1918 Senior Curator of Academic Programming and Neely McNulty, Hood Foundation Curator of Education

Course History

SART 27, SART 28, Printmaking I: Intaglio, Printmaking II, Louise Hamlin, Winter 2013

SART 25.01, Painting I, Esme Thompson, Fall 2019

Provenance

G. W. Einstein Company, Inc., New York, New York; sold to present collection, 2000.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu

Subjects

Subjects: