Edge of the Woods--Evening; from the portfolio American Pictorial Photography, Series Two

Clarence Hudson White, American, 1871 - 1925

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about 1900

Photogravure

Edition of 150

Image: 5 3/4 × 4 in. (14.6 × 10.2 cm)

Image: 5 11/16 × 4 in. (14.5 × 10.1 cm)

Hood Museum of Art, Dartmouth: Gift of Frederick L. Hier, Class of 1944, in memory of his father, Frederick P. Hier Jr.

PH.973.454.10

Publisher

The Camera Club, New York, New York

Geography

Place Made: United States, North America

Period

20th century

Object Name

Photograph

Research Area

Photograph

Not on view

Label

Pictorialist photographers of the Photo-Secession explored the limits of the medium in the early years of the 20th century, advocating for photography’s status as a fine art. Through complex technical manipulation, artists such as Clarence H. White drew upon the atmospheric aesthetic of contemporary American landscape painting. In emotionally evocative compositions like this late-evening plein-air portrait, he depicted nature as an intimate space for reflection.

From the 2022 exhibition This Land: American Engagement with the Natural World, curated by Jami C. Powell, Curator of Indigenous Art; Barbara J. MacAdam, former Jonathan L. Cohen Curator of American Art; Thomas H. Price, former Curatorial Assistant; Morgan E. Freeman, former DAMLI Native American Art Fellow; and Michael Hartman, Jonathan Little Cohen Associate Curator of American Art

Course History

ARTH 17, The Power of Place: Urban and Rural Images in American Art, 1900-1945, Sarah Powers, Winter 2014

ANTH 7.05, Animals and Humans, Laura Ogden, Winter 2022

GEOG 31.01, Postcolonial Geographies, Erin Collins, Winter 2022

ANTH 50.05, Environmental Archaeology, Madeleine McLeester, Winter 2022

ANTH 50.05, Environmental Archaeology, Madeleine McLeester, Winter 2022

ARTH 5.01, Introduction to Contemporary Art, Mary Coffey and Chad Elias, Winter 2022

ANTH 3.01, Introduction to Cultural Anthropology, Chelsey Kivland, Summer 2022

ANTH 3.01, Introduction to Cultural Anthropology, Chelsey Kivland, Summer 2022

SPAN 65.15, Wonderstruck: Archives and the Production of Knowledge in an Unequal World, Silvia Spitta and Barbara Goebel, Summer 2022

Exhibition History

American Photography: 1850-1980, Barrows and Lower Jewett Corridor, Hopkins Center Art Galleries, Dartmouth College, Hanover, New Hampshire, March 26-May 20,1982.

This Land: American Engagement with the Natural World, Rush Family Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 12 - July 22, 2022.

Provenance

Frederick P. Hier, Jr. (1889-1957); to his son, Frederick L. Hier (1922-1999), Cornish Flats, New Hampshire; given to present collection, 1973.

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