Park Benches (Paris)

Ferenc Berko, American (born Hungary), 1916 - 2000

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1930s

Gelatin silver print

Overall: 6 9/16 × 8 7/16 in. (16.6 × 21.5 cm)

Hood Museum of Art, Dartmouth: Gift of Mirte Berko

PH.2003.27.6

Geography

Place Made: United States, North America

Period

20th century

Object Name

Photograph

Research Area

Photograph

Not on view

Inscriptions

Stamped, on reverse, at center, in purple ink: BERKO / Phot. Nr.: 262/34 [number written in blue ink] / No publication without mention of name

Label

In this photograph, Berko invites us to be privy to a moment of repose, far from the usual rush of French urban life. On a typical Parisian park bench, two parties sit on opposing sides in quiet coexistence. Even though they could have engaged in conversation, it seems more plausible that no words were exchanged beyond normal pleasantries. This photo is a testament to the underlying alienation possible within modern city life. City-dwellers can be physically close, yet relationally worlds away. The couple leaning against one another has found companionship, yet the lone figure sits with only his thoughts, gazing wistfully at the patterned shadow cast by the leafy branches. Perhaps, as a small form of resistance, both parties have chosen to take up space among the trees as an alternative to the constant movement of the city, finding that the solace of an urban oasis is within reach, too.

From the 2025 exhibition A Space for Dialogue 125, Chasing Modernity: Fleeting Moments and Elusive Urbanity, curated by Ellie Brown ’25, Conroy Intern

Provenance

Mirte Berko [artist's widow]; given to present collection, 2003.

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