Emmet and the White Boy

Sally Mann, American, born 1951

Share

negative 1990; print 1993

Gelatin silver print

10/25

Image: 18 7/8 × 23 1/16 in. (47.9 × 58.6 cm)

Sheet: 19 1/2 × 23 11/16 in. (49.5 × 60.1 cm)

Hood Museum of Art, Dartmouth: Gift of Peter H. Voulkos

PH.2001.51.4

Geography

Place Made: United States, North America

Period

20th century

Object Name

Photograph

Research Area

Photograph

Not on view

Inscriptions

Signed and inscribed, in graphite, on reverse, lower right: Emmett and the White Boy / c 1990 Sally Mann / 10/25; lower left: ed [25 20x24 / 25 16x20 / 25 8x10]

Course History

SART 29, Photography I, Virginia Beahan, Spring 2012

SART 29, Photography I, Virginia Beahan, Summer 2013

ITAL 2, Introductory Italian II, Scott Milspaugh, Fall 2013

ITAL 2, Introductory Italian II, Jonathan Mullins, Winter 2014

ITAL 2, Introductory Italian II, Scott Millspaugh, Winter 2014

SART 29, Photography I, Virginia Beahan, Winter 2014

SART 29, Photography I, Virginia Beahan, Summer 2014

WGST 65.6, Radical Sexuality: Of Color, Wildness and Fabulosity, Eng-Beng Lim, Winter 2015

SART 29, Photography I, Christina Seely, Winter 2015

SART 29, Photography 1, Virginia Beahan, Winter 2019

SART 29, Photography I, Virginia Beahan, Summer 2019

SART 29/SART 75, Photography 1/Photography 3, Virginia Beahan, Winter 2020

ARTH 48.02, History of Photography, Katie Hornstein, Winter 2020

SART 29.01, Photography I, Virginia Beahan, Fall 2022

Exhibition History

A Space for Dialogue 12, Emmett and Cadmus: Looking At/For the Homoerotic Power Struggle, Joseph Ackley, Class of 2003, Curatorial Intern, Main Lobby, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 5-May 4, 2003.

Surface and Depth: Trends in Contemporary Photography, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, October 7-December 31, 2000.

The Familial Gaze, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, May 4-July 21, 1996.

Publication History

Joseph Ackley, A Space for Dialogue 12, Emmett and Cadmus: Looking At/For the Homoerotic Power Struggle, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2003, ill. p. 3.

Published References

Illustrated: Immediate Family (Aperture, New York, 1992) unpaginated.

Provenance

Edwynn Houk Gallery, New York; sold to Roger Arvid Anderson, San Francisco; given to Peter Voulkos, Oakland, California, 2001; given to present collection, 2001.

This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.

We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu