Virgin and Child with Saints

Perugino (Pietro di Cristoforo Vannucci) and Workshop, Italian, about 1450 - 1523

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Course History

ARTH 17, Italian Renaissance Architecture: Issues and Approaches, Lauren Jacobi, Winter 2013

ARTH 2, Introduction to the History of Art II, Joy Kenseth, Marlene Heck, Winter 2012

ARTH 2, Introduction to the History of Art II, Katie Hornstein, Jane Carroll, Winter 2013

ARTH 42, High Renaissance Art, Joy Kenseth, Fall 2012

FREN 1, Introductory French I, Kelly McConnell, Winter 2013

REL 51, Virgin of Guadalupe, Elizabeth Perez, Winter 2013

WRIT 5, Expository Writing, Carl Thum, Winter 2013

ARTH 86, Senior Seminar in Theory and Method, Mary Coffey, Winter 2012

ITAL 3, Introductory Italian III, Anna Minardi, Fall 2013

ITAL 3, Introductory Italian III, Jonathan Mullins, Fall 2013

ARAB 31, Advanced Arabic, El Mostafa Ouajjani, Fall 2013

PHIL 23, Philosophy of Art, John Kulvicki, Winter 2014

ITAL 22, Humanism and Renaissance, Courtney Quaintance, Spring 2014

WRIT 7, Religion and Literature: Revisioning the Invisible, Nancy Crumbine, Spring 2014

THEA 16, Theatre and Society II: Early Modern Performance, Laura Edmondson, Winter 2015

WRIT 5, On Poor Taste, William Boyer, Winter 2015

ITAL 23, Seventeenth and Eighteenth-Century Italian Literature and Culture, Nancy Canepa, Winter 2015

FRIT 34, Sex and Gender in the Italian Renaissance, Courtney Quaintance, Spring 2015

ITAL 7, Women in Renaissance Venice, Courtney Quaintance, Spring 2015

HIST 43.2, European Intellectual and Cultural History 1400-1800, Darrin McMahon, Fall 2015

ARTH 1, Bodies and Buildings: Introduction to the History of Art in the Ancient World and the Middle Ages, Jane Carroll, Steven Kangas, Fall 2015

WRIT 5, Writing into the Wilderness: Vox Clamantis in Deserto, Nancy Crumbine, Fall 2015

WRIT 5, Writing into the Wilderness: Vox Clamantis in Deserto, Nancy Crumbine, Fall 2015

WRIT 5, On Poor Taste, William Boyer, Fall 2015

ARTH 45, Southern Baroque Art, Joy Kenseth, Winter 2016

WRIT 5, Writing into the Wilderness, Nancy Crumbine, Winter 2016

WRIT 5, Writing into the Wilderness, Nancy Crumbine, Winter 2016

ARTH 2, Introduction to the History of Art II, Mary Coffey, Joy Kenseth, Winter 2019

HIST 43.02, European Intellectual and Cultural History 1400-1800, Darrin McMahon, Fall 2019

ARTH 89.05, Art History: Theory and Method, Elizabeth Kassler-Taub, Fall 2019

ARTH 89.05, Art History: Theory and Method, Elizabeth Kassler-Taub, Fall 2019

ARTH 01, Bodies and Buildings, Nicola Camerlenghi and Steven Kangas, Fall 2019

ARTH 28.08, Italian Art from Renaissance to Baroque: Crisis and Intervention, Elizabeth Kassler-Taub, Winter 2020

ITAL 3.01, Introductory Italian 3, Damiano Benvegnu, Winter 2020

ITAL 3.01, Introductory Italian III, Damiano Benvegnu, Fall 2021

ITAL 1.01, Introductory Italian I, Giorgio Alberti, Fall 2022

ITAL 1.02, Introductory Italian I, Andrea Zoller, Fall 2022

ITAL 1.03, Introductory Italian I, Andrea Zoller, Fall 2022

Italian 1.02, Introductory Italian I, Andrea Zoller, Winter 2023

Italian 1.01, Introductory Italian I, Giorgio Alberti, Winter 2023

Italian 11.01, Intensive Italian, Giorgio Alberti, Winter 2023

Art History 7.05, Pompeii: Antique & Modern, Ada Cohen, Winter 2023

Italian 2.01, Introductory Italian II, Andrea Zoller, Winter 2023

Italian 2.02, Introductory Italian II, Matteo Gilebbi, Winter 2023

Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2023

Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2023

Italian 3.01, Introductory Italian III, Giorgio Alberti, Spring 2023

Art History 1.01, Bodies and Buildings, Ada Cohen and Steven Kangas, Fall 2023

Italian 1.01, Introductory Italian 1, Giorgio Alberti, Fall 2023

Italian 1.02, Introductory Italian 1, Marco D'Angelo, Fall 2023

Italian 1.03, Introductory Italian 1, Floriana Ciniglia, Fall 2023

Italian 1.04, Introductory Italian 1, Noemi Perego, Fall 2023

Italian 2.01, Introductory Italian II, Marco D'Angelo, Fall 2023

Italian 1.01, Introductory Italian 1, Giorgio Alberti, Winter 2024

Italian 1.02, Introductory Italian 1, Floriana Ciniglia, Winter 2024

Italian 2.01, Introductory Italian II, Giorgio Alberti, Winter 2024

Italian 2.02, Introductory Italian II, Noemi Perego, Winter 2024

Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024

Studio Art 17.08, Digital Drawing, Karol Kawiaka, Winter 2024

Geography 29.01, Global Cities, Erin Collins, Spring 2024

Geography 29.01, Global Cities, Erin Collins, Spring 2024

Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2024

Italian 11.01, Intensive Italian, Floriana Ciniglia, Spring 2024

Italian 2.01, Introductory Italian II, Floriana Ciniglia, Spring 2024

Italian 3.01, Introductory Italian III, Tania Convertini, Spring 2024

Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2024

Exhibition History

European Art at Dartmouth: Highlights from the Hood Museum of Art, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 30, 2008-March 8, 2009.

From Altarpiece to Portrait: Assembling a European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2019-September 6, 2020.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 20, 2009-August 2013.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 19, 2013-March 13, 2016.

Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 3, 1999-August 28, 2007.

The Art of Spectatorship: A History of Viewing from the Renaissance to the Present Day, Harrington Gallery Teaching Exhibition, Art History 2, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 19-April 6, 2008.

Yale University Art Gallery, New Haven, Connecticut, March 14, 2016-June 30, 2018.

Publication History

Sotheby's, Important Old Master Paintings, January 28, 1999, Sale 7261, lot 212.

G. F. Wagen, Konigliche Museen, Verzeichniss der Gemalde-Sammlung, Berlin, 1851, p. 46, no. 146.

Filippo Todini, La Pittura Umbra, Vol. 1, Milano: Longanesi & C., p. 78, no. 1374, illustration no. 1374, Vol. 2., 1989. [attributed to Giannicola di Paolo]

T. Barton Thurber, Twenty Years of Building a Collection: The Hood Museum of Art, Apollo (Vol. 162, no. 526), December 2005, London: Apollo Magazine, 2005, pp. 46-53, ill. p.48.

Daniel Rockmore, Siwei Lyu, and Hany Farid, "A Digital Technique for Authentication in the Visual Arts", IFAR Journal/International Foundation for Art Research, Vol. 8, No. 2, 2005/06, New York, New York: International Foundation for Art Research (IFAR), 2005/2006, p. 17, ill. p. 13 and 16.

T. Barton Thurber, "European Art at Dartmouth: Highlights from the Hood Museum of Art", Hanover: Trustees of Dartmouth College, 2008, pp. 36-38, ill. p.36, no. 6.

J. A. Crowe and G. B. Cavalcaselle, A History of Painting in Italy, Umbria, Florence, and Siena from the Second to the Sixteenth Century, ed. Langton Douglas, 2nd ed., 6 vols. (London: J. Murray, 1903-1914), vol. 5, p. 369 (attributed to Tiberio d'Assisi).

Staatlichen Museen zu BerlinStiftung - Preußischer Kulturbesitz. Dokumentation der Verluste, Band I, Gemäldegalerie (Berlin, 1995), p. 92, n. 146 (illustrated and attributed to Perugino Schule).

John R. Stomberg, The Hood Now: Art and Inquiry at Dartmouth, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019, p. 84, ill. plate no. 15.

Provenance

Acquired by Edward Solly (1776-1844), Berlin, early 19th century; sold to the Kaiser Friedrich Museum, Berlin, in 1821; lent to the German Embassy, Rome, before 1931; seized by the Allies under the authority of Inter-Allied Repatriation Agency; sold to Dr. Franco Festa, Rome, 1952; with Acquavella Galleries, New York, by 1977; private collection, Siena, Italy, and New York, since 1952; Sotheby's, Important Old Master Paintings, Sale 7261, lot 212, New York, New York, January 28, 1999; sold to present collection, 1999.

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