Virgin and Child with Saints
Perugino (Pietro di Cristoforo Vannucci) and Workshop, Italian, about 1450 - 1523
about 1500
Oil and tempera on panel
Overall: 69 5/16 × 67 5/16 in. (176 × 171 cm)
Frame: 78 1/2 × 76 1/4 in. (199.4 × 193.6 cm)
Hood Museum of Art, Dartmouth: Purchased through the Florence and Lansing Porter Moore 1937 Fund
P.999.2
Geography
Place Made: Italy, Europe
Period
1400-1600
Object Name
Painting
Research Area
Painting
On view
Course History
ARTH 17, Italian Renaissance Architecture: Issues and Approaches, Lauren Jacobi, Winter 2013
ARTH 2, Introduction to the History of Art II, Joy Kenseth, Marlene Heck, Winter 2012
ARTH 2, Introduction to the History of Art II, Katie Hornstein, Jane Carroll, Winter 2013
ARTH 42, High Renaissance Art, Joy Kenseth, Fall 2012
FREN 1, Introductory French I, Kelly McConnell, Winter 2013
REL 51, Virgin of Guadalupe, Elizabeth Perez, Winter 2013
WRIT 5, Expository Writing, Carl Thum, Winter 2013
ARTH 86, Senior Seminar in Theory and Method, Mary Coffey, Winter 2012
ITAL 3, Introductory Italian III, Anna Minardi, Fall 2013
ITAL 3, Introductory Italian III, Jonathan Mullins, Fall 2013
ARAB 31, Advanced Arabic, El Mostafa Ouajjani, Fall 2013
PHIL 23, Philosophy of Art, John Kulvicki, Winter 2014
ITAL 22, Humanism and Renaissance, Courtney Quaintance, Spring 2014
WRIT 7, Religion and Literature: Revisioning the Invisible, Nancy Crumbine, Spring 2014
THEA 16, Theatre and Society II: Early Modern Performance, Laura Edmondson, Winter 2015
WRIT 5, On Poor Taste, William Boyer, Winter 2015
ITAL 23, Seventeenth and Eighteenth-Century Italian Literature and Culture, Nancy Canepa, Winter 2015
FRIT 34, Sex and Gender in the Italian Renaissance, Courtney Quaintance, Spring 2015
ITAL 7, Women in Renaissance Venice, Courtney Quaintance, Spring 2015
HIST 43.2, European Intellectual and Cultural History 1400-1800, Darrin McMahon, Fall 2015
ARTH 1, Bodies and Buildings: Introduction to the History of Art in the Ancient World and the Middle Ages, Jane Carroll, Steven Kangas, Fall 2015
WRIT 5, Writing into the Wilderness: Vox Clamantis in Deserto, Nancy Crumbine, Fall 2015
WRIT 5, Writing into the Wilderness: Vox Clamantis in Deserto, Nancy Crumbine, Fall 2015
WRIT 5, On Poor Taste, William Boyer, Fall 2015
ARTH 45, Southern Baroque Art, Joy Kenseth, Winter 2016
WRIT 5, Writing into the Wilderness, Nancy Crumbine, Winter 2016
WRIT 5, Writing into the Wilderness, Nancy Crumbine, Winter 2016
ARTH 2, Introduction to the History of Art II, Mary Coffey, Joy Kenseth, Winter 2019
HIST 43.02, European Intellectual and Cultural History 1400-1800, Darrin McMahon, Fall 2019
ARTH 89.05, Art History: Theory and Method, Elizabeth Kassler-Taub, Fall 2019
ARTH 89.05, Art History: Theory and Method, Elizabeth Kassler-Taub, Fall 2019
ARTH 01, Bodies and Buildings, Nicola Camerlenghi and Steven Kangas, Fall 2019
ARTH 28.08, Italian Art from Renaissance to Baroque: Crisis and Intervention, Elizabeth Kassler-Taub, Winter 2020
ITAL 3.01, Introductory Italian 3, Damiano Benvegnu, Winter 2020
ITAL 3.01, Introductory Italian III, Damiano Benvegnu, Fall 2021
ITAL 1.01, Introductory Italian I, Giorgio Alberti, Fall 2022
ITAL 1.02, Introductory Italian I, Andrea Zoller, Fall 2022
ITAL 1.03, Introductory Italian I, Andrea Zoller, Fall 2022
Italian 1.02, Introductory Italian I, Andrea Zoller, Winter 2023
Italian 1.01, Introductory Italian I, Giorgio Alberti, Winter 2023
Italian 11.01, Intensive Italian, Giorgio Alberti, Winter 2023
Art History 7.05, Pompeii: Antique & Modern, Ada Cohen, Winter 2023
Italian 2.01, Introductory Italian II, Andrea Zoller, Winter 2023
Italian 2.02, Introductory Italian II, Matteo Gilebbi, Winter 2023
Italian 1.01, Introductory Italian I, Noemi Perego, Spring 2023
Italian 3.02, Introductory Italian III, Giorgio Alberti, Spring 2023
Italian 3.01, Introductory Italian III, Giorgio Alberti, Spring 2023
Exhibition History
European Art at Dartmouth: Highlights from the Hood Museum of Art, Churchill P. Lathrop Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, August 30, 2008-March 8, 2009.
From Altarpiece to Portrait: Assembling a European Collection, Harrington Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 26, 2019-September 6, 2020.
Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, April 20, 2009-August 2013.
Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 19, 2013-March 13, 2016.
Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, September 3, 1999-August 28, 2007.
The Art of Spectatorship: A History of Viewing from the Renaissance to the Present Day, Harrington Gallery Teaching Exhibition, Art History 2, Ivan Albright Gallery, Hood Museum of Art, Dartmouth College, Hanover, New Hampshire, January 19-April 6, 2008.
Yale University Art Gallery, New Haven, Connecticut, March 14, 2016-June 30, 2018.
Publication History
Sotheby's, Important Old Master Paintings, January 28, 1999, Sale 7261, lot 212.
G. F. Wagen, Konigliche Museen, Verzeichniss der Gemalde-Sammlung, Berlin, 1851, p. 46, no. 146.
Filippo Todini, La Pittura Umbra, Vol. 1, Milano: Longanesi & C., p. 78, no. 1374, illustration no. 1374, Vol. 2., 1989. [attributed to Giannicola di Paolo]
T. Barton Thurber, Twenty Years of Building a Collection: The Hood Museum of Art, Apollo (Vol. 162, no. 526), December 2005, London: Apollo Magazine, 2005, pp. 46-53, ill. p.48.
Daniel Rockmore, Siwei Lyu, and Hany Farid, "A Digital Technique for Authentication in the Visual Arts", IFAR Journal/International Foundation for Art Research, Vol. 8, No. 2, 2005/06, New York, New York: International Foundation for Art Research (IFAR), 2005/2006, p. 17, ill. p. 13 and 16.
T. Barton Thurber, "European Art at Dartmouth: Highlights from the Hood Museum of Art", Hanover: Trustees of Dartmouth College, 2008, pp. 36-38, ill. p.36, no. 6.
J. A. Crowe and G. B. Cavalcaselle, A History of Painting in Italy, Umbria, Florence, and Siena from the Second to the Sixteenth Century, ed. Langton Douglas, 2nd ed., 6 vols. (London: J. Murray, 1903-1914), vol. 5, p. 369 (attributed to Tiberio d'Assisi).
Staatlichen Museen zu BerlinStiftung - Preußischer Kulturbesitz. Dokumentation der Verluste, Band I, Gemäldegalerie (Berlin, 1995), p. 92, n. 146 (illustrated and attributed to Perugino Schule).
John R. Stomberg, The Hood Now: Art and Inquiry at Dartmouth, Hanover, New Hampshire: Hood Museum of Art, Dartmouth College, 2019, p. 84, ill. plate no. 15.
Provenance
Acquired by Edward Solly (1776-1844), Berlin, early 19th century; sold to the Kaiser Friedrich Museum, Berlin, in 1821; lent to the German Embassy, Rome, before 1931; seized by the Allies under the authority of Inter-Allied Repatriation Agency; sold to Dr. Franco Festa, Rome, 1952; with Acquavella Galleries, New York, by 1977; private collection, Siena, Italy, and New York, since 1952; Sotheby's, Important Old Master Paintings, Sale 7261, lot 212, New York, New York, January 28, 1999; sold to present collection, 1999.
This record is part of an active database that includes information from historic documentation that may not have been recently reviewed. Information may be inaccurate or incomplete. We also acknowledge some language and imagery may be offensive, violent, or discriminatory. These records reflect the institution’s history or the views of artists or scholars, past and present. Our collections research is ongoing.
We welcome questions, feedback, and suggestions for improvement. Please contact us at: Hood.Collections@dartmouth.edu